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The Tale of Genji
With its vivid descriptions of courtly society, gardens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world’s first novel—has captivated audiences around the globe and inspired artistic traditions for one thousand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; her monumental work of fiction offers entry into an elaborate, mysterious world of court romance, political intrigue, elite customs, and religious life. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of mor...
Moon Phase Astrology
A guide to understanding the phases of astrological Moon signs and their effects on emotions and personality • Describes the positive and negative character-defining traits of each of the 96 Moon phase/Moon sign combinations • Explains how to use your natal Moon’s sign and phase to predict how current and approaching Moons can affect you • Explores the universal challenges arising during each Moon phase throughout the year and ways to honor each phase as it passes The Moon’s ever-changing phases offer a way to deepen our understanding of our natal Moon sign as well as the Moon’s day-to-day influence on our emotional tides. Through its 8 phases and its wandering dance through each...
The Poetry of Nature
With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic ma...
Around Chigusa
An in-depth look at the dynamic cultural world of tea in Japan during its formative period Around Chigusa investigates the cultural and artistic milieu in which a humble jar of Chinese origin dating to the thirteenth or fourteenth century became Chigusa, a revered, named object in the practice of formalized tea presentation (chanoyu) in sixteenth-century Japan. This tea-leaf storage jar lies at the nexus of interlocking personal networks, cultural values, and aesthetic idioms in the practice and appreciation of tea, poetry, painting, calligraphy, and Noh theater during this formative period of tea culture. The book’s essays set tea in dialogue with other cultural practices, revealing larger cultural paradigms that informed the production, circulation, and reception of the artifacts used and displayed in tea. Key themes include the centrality of tea to the social life of and interaction among warriors, merchants, and the courtly elite; the multifaceted relationship between things wa (Japanese) and kan (Chinese) and between tea and poetry; the rise of new formats for display of the visual and calligraphic arts; and collecting and display as an expression of political power.
Genji
None
Transactions of the Asiatic Society of Japan
List of transactions, v. 1-41 in v. 41.
Handmade Culture
Handmade Culture is the first comprehensive and cohesive study in any language to examine Raku, one of Japan’s most famous arts and a pottery technique practiced around the world. More than a history of ceramics, this innovative work considers four centuries of cultural invention and reinvention during times of both political stasis and socioeconomic upheaval. It combines scholarly erudition with an accessible story through its lively and lucid prose and its generous illustrations. The author’s own experiences as the son of a professional potter and a historian inform his unique interdisciplinary approach, manifested particularly in his sensitivity to both technical ceramic issues and theoretical historical concerns. Handmade Culture makes ample use of archaeological evidence, heirloom ceramics, tea diaries, letters, woodblock prints, and gazetteers and other publications to narrate the compelling history of Raku, a fresh approach that sheds light not only on an important traditional art from Japan, but on the study of cultural history itself.
Facing Images
If we want to decolonize the history of art, argues Kristopher Kersey, we must rethink our approach to the historical record. This means dispensing with Eurocentric binaries—divisions between Western and non-Western, modern and premodern—and making a commitment to artworks that challenge the perspectives we build upon them. In Facing Images, the question takes elegant and intriguing form: If the aesthetic hallmarks of “modernity” can be found in twelfth-century art, what does it really mean to be “modern”? Kersey’s answer to this question models a new historiography. Facing Images begins by tracing the turbulent discourse surrounding the emergence of Japanese art history as a m...
Over the Seawall
In March 2011, people in a coastal Japanese city stood atop a seawall watching the approach of the tsunami that would kill them. They believed--naively--that the huge concrete barrier would save them. Instead, they perished, betrayed by the very thing built to protect them. Academics call it maladaptation; in simple terms, it's about solutions that backfire. Over the Seawall tells the stories behind these unintended consequences and the fixes that do more harm than good. From seawalls in coastal Japan, to reengineered waters in the Ganges River Delta, to the ribbon of water supporting both farms and cities in parched Arizona, we visit engineering marvels once deemed too smart and too big to fail. After each we better understand how complicated, grandiose schemes fail. Ultimately, we learn that if we are to adapt successfully to climate change, we must recognize that working with nature is not surrender but the only way to assure a secure future.
Imagined Neighbors
Welches Bild von China hatten japanische Künstler vom späten 17. Jahrhundert, als ihr Land sich gegen die Welt abschottete, bis zur Öffnung im Zuge der Modernisierung ab der Mitte des 19. Jahrhunderts? Der Band untersucht vorrangig Darstellungen in der japanischen Malerei vom späten 17. bis zum 20. Jahrhundert, die China als realen Ort ebenso wie als imaginäres gelobtes Land zeigen. In drei Essays renommierter japanischer Kunsthistoriker*innen und über fünfzig Katalogeinträgen zu außergewöhnlichen Werken werden die komplexen Reaktionen der Kunst Japans auf die chinesische Kunst, Geschichte und Kultur offenbar. Eine Handvoll wissenschaftlicher Studien hinterfragt in jüngerer Zeit das etablierte Narrativ, das moderne Japan habe sich allein am Westen orientiert. Diese verbreitete Vorstellung von einem ausschließlich westlich inspirierten heutigen Japan thematisiert "Imagined Neighbors". Mit einem nuancierteren Ansatz bemüht sich der Band, die schwierige Aussöhnung zwischen Alt und Neu im Zuge der Neuerfindung des modernen Nationalstaats Japan zu verstehen.
