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She's fallen for an angel... but he's mated to a monster. In a realm of orcs and powerful men, housemaid Alma Andersson is drowning - in grief, debt, and drudgery. And when her awful employer makes his darkest demand yet, she flees for the forest, and tumbles toward her doom... Until she's snatched to safety by a huge, vicious green beast. An orc. He's utterly terrifying, with his towering bulk, sharp teeth, and deadly black claws - but his touch is gentle, and his eyes are kind. And his scent is a deep, decadent sweetness, sparking a furious flame between them... But it's only more disaster, because Alma's shy, soft-hearted rescuer is already mated... to another orc. A tall, silent, snarlin...
An assessment of how the most famous ancient historian of the twentieth century achieved his impact.
He's the most feared monster in the realm. And she's what he needs to win his war... In a world of warring orcs and men, Lady Norr is condemned to a childless marriage, a cruel lord husband, and a life of genteel poverty -- until the day her home is ransacked by a horde. And leading the charge is their hulking, deadly orc captain: the infamous Grimarr. And Grimarr has a wicked plan for Lady Norr, and for ending this war once and for all. She's going to become his captive -- and the perfect snare for Lord Norr. There's no possible escape, and soon Lady Norr is dragged off toward Orc Mountain in the powerful arms of her greatest enemy. A ruthless, commanding warlord, with a velvet voice and mouthwatering scent, who awakens every forbidden hunger she never knew she had... But Grimarr refuses to accept half measures -- in war, or in pleasure. And before he'll conquer Lady Norr's deepest, darkest desires, she needs to surrender everything. Her allegiance. Her wedding-ring. Her future... And with her husband's forces giving chase, Lady Norr can't afford to play such a dangerous game -- or can she? Even if this deadly orc's plans might be the only way to save them all?
Set includes revised editions of some issues.
Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51–95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana’s work, however, links between the poet’s musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana—and indeed in early modern cultural produ...
MUM is the love of his life. Until he meets his STEP-BROTHER. For years it's been just Finley and Mum. Now she's getting married, and they're moving into a flash mansion and his step-dad is lording it over him. He's clearly a homophobe, and doesn't want him rubbing off (so to speak) on his son. Like that would ever happen. Even if Ethan and his dad don't look anything alike. Even if Ethan and his dad don't act anything alike. Even if . . . This can't happen. They're whānau now, family, there are boundaries. Secret. Forbidden. Irresistible. A reimagining of Jane Austen's Mansfield Park. *** TAGS: Heart-throbbing slow burn, a bit of pretty prose, Ethan is his step-brother, Finley wasn't supposed to see him naked, step-dad is a homophobe, Finley has naughty thoughts, Austen might roll over in her grave, secrets and confessions under sparkly stars, mutual pining, the world is unfair, pining-pining-and-more-pining, Finley turns naughty thoughts to actions, so what there are rules?, maybe they shouldn't have done that, jealousy is an ugly green beast, Austen might like this now, forgetting is impossible, more impossible is choosing between heart and home.