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Virgil's Fourth Eclogue in the Italian Renaissance
This pioneering study reveals the central place held by Virgil's 'messianic' Eclogue in the art and literature of Renaissance Italy.
Emblems in Scotland
Emblems in the visual arts use motifs which have meanings, and in this ground-breaking, richly illustrated book Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs in Scotland address major historical issues of Anglo-Scottish relations.
Carpe Diem
Carpe diem – 'eat, drink and be merry, for tomorrow we die!' – is a prominent motif throughout ancient literature and beyond. This is the first book-length examination of its significance and demonstrates that close analysis can make a key contribution to a question that is central to literary studies in and beyond Classics: how can poetry give us the almost magical impression that something is happening here and now? In attempting an answer, Robert Rohland gives equal attention to Greek and Latin texts, as he offers new interpretations of well-known poems from Horace and tackles understudied epigrams. Pairing close readings of ancient texts along with interpretations of other forms of cultural production such as gems, cups, calendars, monuments, and Roman wine labels, this interdisciplinary study transforms our understanding of the motif of carpe diem.
Neo-Latin Poetry in the British Isles
Investigation of the Latin poetry produced by British poets from the sixteenth century onwards affords an indispensible insight into a dominant strand in the intellectual, cultural and educational life of the British Isles during this period. At this time, the composition of Latin poetry was a regular feature of school curricula and a popular leisure-time activity of the educated elite. Such examination also sheds light on the poetic principles and practice of major British poets (such as Campion, Cowley, Herbert and Milton) who penned a large quantity of neo-Latin verse in addition to their better-known vernacular works.
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Perceptions of Horace
Throughout his work, the Roman poet Horace displays many, sometimes conflicting, faces: these include dutiful son, expert lover, gentleman farmer, man about town, outsider, poet laureate, sharp satirist and measured moraliser. This book features a wide array of essays by an international team of scholars from a number of different academic disciplines, each one shedding new light on aspects of Horace's poetry and its later reception in literature, art and scholarship from antiquity to the present day. In particular, the collection seeks to investigate the fortunes of 'Horace' both as a literary personality and as a uniquely varied textual corpus of enormous importance to western culture. The poems shape an author to suit his poetic aims; readers reshape that author to suit their own aesthetic, social and political needs. Studying these various versions of Horace and their interaction illuminates the author, his poetry and his readers.
