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World Medievalism
Explores the ways in which a range of modern textual cultures have continued to engage creatively with the medieval past in order to come to terms with the global present.
The Cambridge Companion to Medievalism
Medievalism - the creative interpretation or recreation of the European Middle Ages - has had a major presence in the cultural memory of the modern West, and has grown in scale to become a global phenomenon. Countless examples across aesthetic, material and political domains reveal that the medieval period has long provided a fund of images and ideas that have been vital to defining 'the modern'. Bringing together local, national and global examples and tracing medievalism's unpredictable course from early modern poetry to contemporary digital culture, this authoritative Companion offers a panoramic view of the historical, aesthetic, ideological and conceptual dimensions of this phenomenon. It showcases a range of critical positions and approaches to discussing medievalism, from more 'traditional' historicist and close-reading practices through to theoretically engaged methods. It also acquaints readers with key terms and provides them with a sophisticated conceptual vocabulary for discussing the medieval afterlife in the modern.
Old Songs in the Timeless Land
How have the Middle Ages shaped Australian culture? Have there been forms of interest in the medieval period that can be identified as Australian? What cultural forces have shaped these local responses? This detailed study examines the many ways in which early Australian writers and dramatists drew on the motifs, events and personages of the medieval past, and places particular emphasis on how they used the European past to illuminate their sense of the Australian present. Lousie D'Arcens investigates the role of medieval studies in the formation of Australian humanities curricula.
Representing the Crusades
How are the Crusades portrayed in popular culture today? Have the medieval images of chivalric and military heroes survived the eras of Orientalism and decolonization? The first of its kind, this comparative study examines representations of the Crusades in both European and Arab medieval texts and in 20th and 21st century transmedia recreations. It follows the cartography and illuminated manuscripts of the Middle Ages through modern, hybridized narratives in novels, film, comics and gaming. The shifting literary tastes, political agendas and cultural exchanges of audiences on both sides of the Mediterranean reflect their anxieties and ideals.
The Militant Middle Ages
In The Militant Middle Ages, historian Tommaso di Carpegna Falconieri delves into common perceptions of the Middle Ages and how these views shape contemporary political contexts. Today more than ever, the medieval era is mined from across the political spectrum for symbols, examples, allegories, and models to represent and interpret the present. From “new crusades” to fantasy literature and cosplay, from Catholic Traditionalism to environmentalism, from neo-Vikings to medieval tourism and festivals, Carpegna Falconieri leads us in an impassioned and often disquieting journey through the “Modern Middle Ages.” The first book-length study dedicated to the broad phenomenon of political medievalism, The Militant Middle Ages offers a new lens for scrutinizing contemporary society through its instrumentalization of the medieval past. First published in Italian as Medioevo militante. La politica di oggi alle prese con barbari e crociati - © 2011 Giulio Einaudi editore s.p.a., Torino.
Facing up to the History of Emotions
This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best ‘face up’ to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom ‘facing up,’ its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices – as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions.
The Piranesi Effect
The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.
History as Fantasy in Music, Sound, Image, and Media
Exploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past. The volume brings together essays from multidisciplinary perspectives, addressing the use of music to convey a sense of the past in a wide range of multimedia contexts, including television, documentaries, opera, musical theatre, contemporary and historical film, videogames, and virtual reality. With a focus on early music and medievalism, the contributors theorise the role of music and sound in constructing ideas of the past. In three interrelated sections, the chapters problematise notions of historical authenticity on ...
The Cambridge Companion to Christian Mysticism
The Cambridge Companion to Christian Mysticism is a multi-authored interdisciplinary guide to the study of Christian mysticism, with an emphasis on the 3rd through the 17th centuries. Written by leading authorities and younger scholars from a range of disciplines, the volume both provides a clear introduction to the Christian mystical life and articulates a bold new approach to the study of mysticism.
Beer and Brewing in Medieval Culture and Contemporary Medievalism
Beer and Brewing in Medieval Culture and Contemporary Medievalism is a cross-cultural analysis of the role that alcohol consumption played in literature, social and cultural history, and gender roles in the Middle Ages. The volume also seeks to correct or offer new insights into historical beer production. By drawing on the expertise of scholars of history, archaeology, Old and Middle English, Old Norse, and Medieval and Early Modern literature, the book shows how historical medieval beer and brewing has influenced nostalgic post-medieval nationalism and romanticized visions of the medieval ale-house seen in beer marketing today. The essays describe alcohol consumption in the Middle Ages acr...
