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Collecting 22 selected papers from the twenty-third Current Research in Egyptology conference, topics include language and literature, archaeology and material culture, society and religion, archival research, intercultural relations, reports on archaeological excavations and methodological issues, regarding all periods of Ancient Egypt.
Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the n...
Conference report on library automation trends, with particular reference to on-line cataloguing - describes experiences made in Germany, Federal Republic, Netherlands, South Africa R and the UK, acquisitions and information retrieval aspects, library networking, electronic networking features of intelligent terminals (visual display unit), etc. List of participants. Diagrams flow charts and references. Conference held in Essen 1981 Mar 25 to 27.
The book discusses principally the iconography and text of a mid 15th century copy of the mystical treatise Horloge de Sapience in the most sumptuously illuminated ms. known of the text. Each of the 36 illuminations is discussed in turn, with reference to their pictorial traditions, to the French textual matter and to a unique contemporary commentary, called the Déclaration des hystoires. The Déclaration is one of the earliest essays in the history of art criticism to survive. The study is rendered useful for teachers and scholars by an English translation of the text of the Déclaration, which enables the reader to see the illustrations through the eyes of a 15th century critic.
This book deals with the different translations into Old French of Giles of Rome’s De regimine principum, dedicated to Philippe le Bel around 1279, and their readership. First-hand manuscript research has permitted us to understand not only the general context of their production but also the social conditions of their transmission and circulation. This work concentrates on different aspects of the reception of Giles of Rome’s pedagogical ideas by his “translators”, who are by no means passive in this process. This book provides not only a concrete idea of what Giles of Rome’s educational ideas became when mediated for the consumption of a lay public but also how the translators, in their translations, supported the transmission of re-appropriated knowledge.
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In the late fourteenth and the fifteenth centuries, the Dukes of Valois-Burgundy created a composite monarchy in the Netherlands, an area that had been dominated for centuries by several regional dynasties. In this way they laid the foundation for the modern states of the Netherlands, Belgium, and Luxemburg. The rise of the House of Burgundy can be read as the success story of a dynasty that in little over a century managed to assemble a great number of principalities, thus creating a new state. The Burgundian takeover, however, resulted in a modernization of administration, jurisdiction, and finances. The process of unification and the character of the union are the central topics of Magnan...
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...