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Lion El'Jonson: Lord of the First
Book 13 in The Horus Heresy Primarch Series Each primarch is an exemplary being, derived from the Emperor’s own genetic stock to embody a facet of His personality. Their powers are unfathomable, but only one of them is the First. Lion El’Jonson is the paragon of what it is to be a primarch. His Legion, pre-eminent for most of their long history, typify the virtues of temperance, pride, and martial excellency that the Lion embodies. They are the Emperor’s last line and final sanction. They are His Dark Angels. Now, while the Emperor gathers His mightiest sons for an assault on Ullanor Prime, the Lord of the First instead draws his Legion to the farthest reaches of the known galaxy, seeking to subdue a single rebellious world. Is this but another example of the Lion’s infamous pride, or is there more afoot amidst that graveyard of empires that is the Ghoul Stars, more than the Lion will share even with his own sons?
Jonson Versus Bakhtin
Ben Jonson has often been accused of needless erudition and of a morose refusal to join in the festive spirit. Further aggravation has come from the application of Bakhtin’s theory of carnival, especially in its posthumous form as a political allegory portraying the clash of high and low cultures. In an attempt to turn the tables on this tradition, Jonson Versus Bakhtin goes back to the sources, arguing that Jonson’s theatre allows for an original interpretation of the grotesque as a formal culture of antithesis and opposition that includes carnival. A robust observer of popular myths of festive liberation by way of a uniquely compendious adaptation of his sources, Jonson’s grotesque u...
Ben Jonson
Ben Jonson was the greatest of Shakespeare's contemporaries. In the century following his death he was seen by many as the finest of all English writers, living or dead. His fame rested not only on the numerous plays he had written for the theatre, but on his achievements over three decades as principal masque-writer to the early Stuart court, where he had worked in creative, and often stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he had become - in fact if not in title - the first Poet Laureate in England. Jonson's life was full of drama. Serving in the Low Countries as a young man, he overcame a Spanish adversary in single combat in full view of bot...
Equivocal Beings
In the wake of the French Revolution, Edmund Burke argued that civil order depended upon nurturing the sensibility of men—upon the masculine cultivation of traditionally feminine qualities such as sentiment, tenderness, veneration, awe, gratitude, and even prejudice. Writers as diverse as Sterne, Goldsmith, Burke, and Rousseau were politically motivated to represent authority figures as men of feeling, but denied women comparable authority by representing their feelings as inferior, pathological, or criminal. Focusing on Mary Wollstonecraft, Ann Radcliffe, Frances Burney, and Jane Austen, whose popular works culminate and assail this tradition, Claudia L. Johnson examines the legacy male s...
Jonson, Shakespeare and Early Modern Virgil
Examines how Virgil is represented in early modern England, particularly in Jonson's and Shakespeare's writings.
Like a Fiery Elephant
In his heyday, during the 1960s and early 1970s, B. S. Johnson was one of the best-known young novelists in Britain. A passionate advocate for the avant-garde in both literature and film, he became famous -- not to say notorious -- both for his forthright views on the future of the novel and for his idiosyncratic ways of putting them into practice. But in November 1973 Johnson's lifelong depression got the better of him, and he was found dead at his north London home. He had taken his own life at the age of forty. Jonathan Coe's biography is based upon unique access to the vast collection of papers Johnson left behind after his death, and upon dozens of interviews with those who knew him best. As unconventional in form as one of its subject's own novels, it paints a remarkable picture -- sometimes hilarious, often overwhelmingly sad -- of a tortured personality; a man whose writing tragically failed to keep at bay the demons that pursued him.
Jane Austen
"The best (and the best written) book about Austen that has appeared in the last three decades."—Nina Auerbach, Journal of English and Germanic Philology "By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement
Jane Austen's Cults and Cultures
Jane Austen completed only six novels, but enduring passion for the author and her works has driven fans to read these books repeatedly, in book clubs or solo, while also inspiring countless film adaptations, sequels, and even spoofs involving zombies and sea monsters. Austen’s lasting appeal to both popular and elite audiences has lifted her to legendary status. In Jane Austen’s Cults and Cultures, Claudia L. Johnson shows how Jane Austen became “Jane Austen,” a figure intensely—sometimes even wildly—venerated, and often for markedly different reasons. Johnson begins by exploring the most important monuments and portraits of Austen, considering how these artifacts point to an au...
Ben Jonson
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
The Identity and Attributes of God
The problem identified by the prophet Hosea in his day is still with us today - 'There is no...knowledge of God in the land' (Hos. 4:1). We were made to know God. We were saved to know God. Jesus said, 'This is eternal life that they know you, the only true God, and Jesus Christ whom you have sent' (John 17:3). Our chief end and purpose is to know God and thereby to honour and enjoy him. These pages explore God's identity. The God who is Father, Son, and Holy Spirit is also Creator, Governor, and Redeemer. This one true God is infinitely and unchangingly holy, just, good, and loving. This work is offered with the hope that it might promote the true knowledge of the true God. As Matthew Henry said, 'To know the perfections of the divine nature, the unsearchable riches of divine grace, to be led into the mystery of our redemption and reconciliation by Christ, this is food; such knowledge as this is a feast to the soul.'
