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Focusing on a body of lost and forgotten plays by women and situating them in the context of the early women's movement and its major discourses on suffrage, higher education, and social gospel, Kym Bird challenges the male-defined focus of recent historical studies into 19th-century Canadian drama. She argues that in a society that preferred to think of men and women as part of separate but complimentary spheres the woman naturally suited for the private world of the home and motherhood and the man for the public world of work and politics these plays advanced two forms of feminist politics. Liberal or equality feminism demanded the same rights and privileges for women as those accorded men...
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This book combines the insights of thirteen Shavian scholars as they examine the themes of marriage, relationships and partnerships throughout all of Bernard Shaw’s major works. It also connects Shaw’s own experiences of love and marriage to the themes that emerge in his works, showing how his personal relationships in and out of matrimonial bonds change the ways his characters enter and exit marriages and misalliances. While providing a wealth of new analysis, this collection of essays also leaves lingering questions for the reader to spark continuing dialogue in both individual and academic settings.
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Stage designer, director, and critic Whittaker recounts his experiences in the Montreal theater scene between 1920 and 1949. Coverage includes profiles of actors, directors, and producers; descriptions of early theaters; and a discussion of the competition between francophone and anglophone artists. Rittenhouse's (drama, Bishop's University) introduction, chronology, and commentary serve to place the memoir in context. c. Book News Inc.
Shaw, now in its twenty-fourth year, publishes general articles on Shaw and his milieu, reviews, notes, and the authoritative Continuing Checklist of Shaviana, the bibliography of Shaw studies.
'These highbrows must remember that there is a demand for little things as well as for big things'George Bernard Shaw was one of the leading playwrights and public intellectuals of the nineteenth and twentieth centuries. He helped propel drama towards the unexpected, into a realm where it might shock audiences into new viewpoints and into fresh understandings of society. Throughout his longwriting career Shaw wrote short plays, ranging in length from 1000-word puppet play, Shakes Versus Shav, to the 12,000-word suffragette comedy, Press Cuttings. These plays can be taken to illuminate Shaw's life and legacy, from ideas about war and patriotism in O'Flaherty, V.C. to censorship in TheShewing ...