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This collection shows us the battles—fought, lost and won—when we strive to live life to the fullest. In the fabled adventures in both this world and the next, there are many quests to be embarked on, with countless clashes with dragons—seen and unseen. In The Pros & Cons of Dragon-Slaying, the characters struggle with the bewildering aspects of existence and try to prevail against the forces that are arrayed against them, or that are besieging them from within. Despite their multiple points of view, which range from the farce to the surreal, these crusade stories all speak in harmony, as they reveal life’s stunning surprises and twisted ironies. The tales also speak for life against death, for love against apathy, and for the human spirit against all forms of oppression. But as you weigh the pros and cons of dragon-slaying, take care to watch out for the tempters and demons of inwardness. Beware the dragons of the mind.
This comprehensive sourcebook, which identifies and locates kits, games, and manipulatives, is organized into broad subject areas, including reading and language arts, mathematics, social studies, science and health, and the arts. Some 1,500 entries provide physical descriptions of the materials and
These stories, in all their narrative voicings, deal with sorrow and still seek to find life’s joys. Despite conflicts, contradictions, sacrifices, surprises and ironies, the haunted and hunted characters try to comprehend death in detail. In so doing, the human spirit rises up and triumphs against the incomprehensible and bewildering aspects of life, love and death.
A themed poetry collection—a kind of “séance”—an evening to get in touch with other souls, and the world they once lived in. Yet, as a linked collection, the poems trace the arc of a life from birth to death, from childhood to old age, and move towards a spiritual journey in art. Our lives seem to be vanishing acts, perfected from birth to death. The trip also takes us within. There are joys and sorrows, a sense of delight, and also grief. The collection suggests that the “real horror” is losing a loved one. But, while the poems keep an eye on death, the point is life, even the contemplation of a life beyond death. Certainly, there is remembrance—a time to mend our wounds—bo...
Started by Italian brothers from North Denver, the high-profile Smaldone crime syndicate began in the bootlegging days of the 1920s and flourished into the 1980s. Connected to notorious crime figures, politicians, and presidents, Clyde Smaldone was the crime family's leader. Through candid interviews and firsthand accounts, Dick Kreck reveals the true sense of what it meant to be a Smaldone, not only the corrupt but also the virtuous.Dick Kreck retired from The Denver Post after thirty-eight years as a columnist. He is the author of four other books, including Murder at the Brown Palace. He lives in Denver, Colorado.
Challenging the idea that a writer’s work reflects his experiences in time and place, Andrew M. Cooper locates the action of William Blake’s major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Blake, Cooper shows, was a formalist who exploited eighteenth-century scientific and philosophical research on vision, sense, and mind for spiritual purposes. Through irony, dialogism, two-way syntax, and synesthesia, Blake extended and refined the prophetic method Milton forged in Paradise Lost to bring the performativity of traditional oral song and storytelling into print. Cooper argues that historicist attempts to place Blake’s vision in perspective, as opposed to seeing it for oneself, involve a deeply self-contradictory denial of his performativity as a poet-artist. Rather, Blake’s expansion of linear reading into a space of creative, self-conscious collaboration laid the basis for his lifelong critique of dualism in religion and science, and anticipated the non-Euclidean geometrics of twentieth-century Modernism.