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Lachlan Philpott: Plays One
Three plays by multi-award-winning Australian writer Lachlan Philpott, including M. Rock, Little Emperors, and The Trouble with Harry. M. Rock is based on a true story about the enduring joys of music, dancing and self-discovery, and charts the fortunes of 18-year-old Tracey and her grandmother Mabel. Little Emperors: ‘Little Emperor Syndrome’ is a term used to describe the behavioural time-bomb created by China’s One Child Policy. Set in both Melbourne and Beijing, and weaving between Mandarin and English, Little Emperors deals with a single family as they attempt to negotiate the troubled waters of their shared history, one that includes a hidden second child, forced separation, and deep wells of regret and shame. The Trouble with Harry: Harry Crawford and his wife Annie seem happy enough. Together they lead quiet, unexceptional lives in the suburbs of 1920s Sydney, working and raising a child. But when Josephine arrives at the door, it sets in train a series of events that will result in an astounding revelation. A disorienting tale of deception and enigma which poses an essential, human question: can we ever really know what lies in the heart and mind of someone else?
The Trouble with Harry
A secret. A murder. And a mangy old hen that cock-a-doodles in the morning and sets tongues wagging. The Trouble with Harry, by multi-award winning playwright Lachlan Philpott, rips back the curtains on the case of Eugenia Falleni, the notorious 'Man-Woman' murderer of 1920s Sydney.
Silent Disco
Tamara and Jasyn are in love. Tamara is fourteen. Jasyn lives with Aunty and his brother Dane is in prison for dealing. Jasyn wants to take Tamara to the formal, but he hasn't got the cash. In a world of absent mothers and missing fathers, Mrs Petchell battles to keep another year of students out of the ranks of the vanished. It can be hard to find your own rhythm when everyone is marching to the beat of a different drum.
Lake Disappointment
A one-person play of mirrors and mannerisms that explores the world of the body double. Lake Disappointment is an unusual new work about ego, self-fashioning, and illusions.
M.Rock
M.Rock is a magical new play, based on a true story, about the enduring joys of music, dancing and self-discovery. In his distinctive language, Philpott charts the fortunes of 18-year-old Tracey and her grandmother Mabel. Tracey has just finished school, she's bought a round-the-world ticket and is flying away to soak up experience. By contrast, Mabel is stable. She plays piano for The Players, knits for the African appeal and looks after Hilda's cat. When Tracey misses her plane home, Mabel sets off on a quest to find her granddaughter. But what she finds is her inner DJ.
Truckstop
Sam and Kelly live out west. They spend their lives waiting for texts, for boyfriends and those bitches in Year Ten to leave school so they can have somewhere decent to hang. But the longest wait is till the end of school, and waiting can be deadly. Bored one recess and with double maths looming, the girls escape through the hole in the fence. Hang out at the truck stop on the highway at the picnic table with the flies. Read graffiti. Talk about sex, prostitutes, Lady Gaga. When a truck pulls up. Their hearts race. The truckie's kind of young. And hot. Based on real events, Truck Stop shines the headlights on sex, gender, raunch culture and growing up. It is an important, funny and confronting work for people of all ages.
Verbatim Theatre Methodologies for Community Engaged Practice
Verbatim Theatre Methodologies for Community-Engaged Practice offers a framework for developing original community-engaged productions using a range of verbatim theatre approaches. This book's methodologies offer an approach to community-engaged productions that fosters collaborative artistry, ethically nuanced practice, and social intentionality. Through research-based discussion, case study analysis, and exercises, it provides a historical context for verbatim theatre; outlines the ethics and methods for community immersion that form the foundation of community-engaged best practice; explores the value of interviews and how to go about them; provides clear pathways for translating gathered data into an artistic product; and offers rehearsal room strategies for playwrights, producers, directors, and actors in managing the specific context of the verbatim theatre form. Based on diverse, real-world practice that spans regional, metropolitan, large-scale, micro, independent, commercial, and curriculum-based work, this is a practical and accessible guide for undergraduates, artists, and researchers alike.
Viral Dramaturgies
This book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised nar...
In Crime's Archive
This book investigates what happens to criminal evidence after the conclusion of legal proceedings. During the criminal trial, evidentiary material is tightly regulated; it is formally regarded as part of the court record, and subject to the rules of evidence and criminal procedure. However, these rules and procedures cannot govern or control this material after proceedings have ended. In its ‘afterlife’, criminal evidence continues to proliferate in cultural contexts. It might be photographic or video evidence, private diaries and correspondence, weapons, physical objects or forensic data, and it arouses the interest of journalists, scholars, curators, writers or artists. Building on a ...
Contemporary British Queer Performance
This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented.
