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Three plays by multi-award-winning Australian writer Lachlan Philpott, including M. Rock, Little Emperors, and The Trouble with Harry. M. Rock is based on a true story about the enduring joys of music, dancing and self-discovery, and charts the fortunes of 18-year-old Tracey and her grandmother Mabel. Little Emperors: ‘Little Emperor Syndrome’ is a term used to describe the behavioural time-bomb created by China’s One Child Policy. Set in both Melbourne and Beijing, and weaving between Mandarin and English, Little Emperors deals with a single family as they attempt to negotiate the troubled waters of their shared history, one that includes a hidden second child, forced separation, and deep wells of regret and shame. The Trouble with Harry: Harry Crawford and his wife Annie seem happy enough. Together they lead quiet, unexceptional lives in the suburbs of 1920s Sydney, working and raising a child. But when Josephine arrives at the door, it sets in train a series of events that will result in an astounding revelation. A disorienting tale of deception and enigma which poses an essential, human question: can we ever really know what lies in the heart and mind of someone else?
A secret. A murder. And a mangy old hen that cock-a-doodles in the morning and sets tongues wagging. The Trouble with Harry, by multi-award winning playwright Lachlan Philpott, rips back the curtains on the case of Eugenia Falleni, the notorious 'Man-Woman' murderer of 1920s Sydney.
Kane and I were both rising stars. I was rising to the top of the hand-modelling world and Kane was doing his plays. Kane got his first action film and I became his double. We clicked. Everyone said so. Kane is one of the worlds biggest movie stars. His body double has been there from the start, sharing more than just looks with his famous counterpart. The body double and Kane are to work on Lake Disappointmentan independent arts film that might see them win prestigious awards and fame. This one-person play of mirrors and mannerisms explores the strange world of the body double. It makes unique contributions to timeless theatrical concepts of images and representation. Lake Disappointment is an unusual new work about ego, self-fashioning, and illusions. (1 act, 1 male).
M.Rock is a magical new play, based on a true story, about the enduring joys of music, dancing and self-discovery. In his distinctive language, Philpott charts the fortunes of 18-year-old Tracey and her grandmother Mabel. Tracey has just finished school, she's bought a round-the-world ticket and is flying away to soak up experience. By contrast, Mabel is stable. She plays piano for The Players, knits for the African appeal and looks after Hilda's cat. When Tracey misses her plane home, Mabel sets off on a quest to find her granddaughter. But what she finds is her inner DJ.
Tamara and Jasyn are in love. Jasyn lives with Aunty and his brother Dane is in prison for dealing. Jasyn wants to take Tamara to the formal, but he hasnt got the cash. In a world of absent mothers and missing fathers, Mrs Petchall battles to keep another year of students out of the ranks of the vanished. The Outsiders is on the syllabus again, but instead of Socs and Greasers, this is the world of Speds and Skanks -- fuelled by Red Bull and powered by iPods. It can be hard to find your own rhythm when everyone is marching to the beat of a different drum.
Sam and Kelly live out west. They spend their lives waiting for texts, for boyfriends and those bitches in Year Ten to leave school so they can have somewhere decent to hang. But the longest wait is till the end of school, and waiting can be deadly. Bored one recess and with double maths looming, the girls escape through the hole in the fence. Hang out at the truck stop on the highway at the picnic table with the flies. Read graffiti. Talk about sex, prostitutes, Lady Gaga. When a truck pulls up. Their hearts race. The truckie's kind of young. And hot. Based on real events, Truck Stop shines the headlights on sex, gender, raunch culture and growing up. It is an important, funny and confronting work for people of all ages.
For most girls, finding a place within the cliques, the hierarchies, and the gossip of a new school is tough enough. For Freya Starr, it's astronomically more difficult. She's different, she is convinced she has been marked by something not of this world. She knows she's destined for something amazing, but when the girls ar school start prying into Freya's life, everything she thinks she knows starts crashing down to earth.
Triptych - A Trilogy of New Works explores the world of pressure and success. From our youngest moments to our dying day we all encounter pressure in our lives. Pressure to survive, to be strong, to win, to make the right decisions, to forge the right path, to be successful-but what does 'being successful' even mean? With mental health becoming an increasingly prominent issue for young people, Canberra Youth Theatre has teamed up with three of contemporary theatre's most dynamic writers to explore these questions in ecclectic ways. Features: Run Rihanna Run by Lachlan Philpott, Fight or Flight by Jessica Bellamy and Bona Mors by Olivia Hewson.
Loneliness, fear, bad dreams, repressed attraction or repugnance, lockdown and sudden escapes, jigsaw puzzles, food deliveries, bad tempers and penguins. These were the things that stole our sleep for a year, or that rescued, haunted and comforted us. In the early days of Covid lockdown in 2020, playwrights Vanessa Bates, Mary Rachel Brown, Suzie Miller, Lachlan Philpott and Katie Pollock came together in a virtual writing group to support each other and spur each other on. There were only two rules: deliver a piece every Monday inspired by events of the previous week; and show up online to read them out. Write down, show up, read out. A selection of these pieces have been gathered together in The Curve, a live performance, filmed and streamed by Critical Stages Touring. Like a modern-day journal of the plague year, this collection of monologues and scenes is a time capsule reflecting the lived experience of these five playwrights during the Covid-19 pandemic. With humour, drama, surprise and searing honesty, this collection is a deep interrogation of what it means to be alive during extraordinary times.
What would happen if someone you knew disappeared? How would you react? How would your school react? An assembly called, a footy game postponed, a class interrupted. But who is Michael Swordfish? And who knows where hes gone? For two years award-winning playwright Lachlan Philpott collaborated with students from Newington College, Sydney, to bring their voices and worlds to life. Michael Swordfish is the exciting product of this collaboration: a play that traverses the tumultuous landscape of the teenage experience with a sober truth and darkly comic voice. (1 act; 9 male).