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Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.
"Recognition of Mary Shelley's systemic dual focus on public and domestic power as the means to interrogate traditional norms and propose alternatives materially alters parochial perceptions of her objectives and her achievements. Her novels, outside of Frankenstein, and recently, The Last Man, have been dismissed as simple, mutual dissociated "romances" or experiments in genre solely to intersect with a market niche; they are neither. Rather, they and all of Mary Shelley's major works voice a cosmopolitan, socio-political reformist ideology that evolved as their author's acute awareness of world events enabled her to calibrate her literary voice to deal with unfolding rather than past socie...
Presents a selection of important older literary criticism of selected works by Percy Shelley.
This volume discusses the life and work of Percy Bysshe Shelley in the social and political context of the world and time in which he lived.
Sixteen original essays by leading scholars on Mary Shelley's novel provide an introduction to Frankenstein and its various critical contexts.
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A stimulating examination of early American literature