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Lady Margaret Maria Williams-Hay Verney (1844-1930) was an English-born educationist. In 1904 she produced an edition of the Memoirs of the Verney Family during the 17th century compiled from letters and illustrated by the portraits at Claydon House.
This previously unknown collection of letters lets us experience colonial British Columbia through the eyes of a young British naval officer who spent three years on Vancouver Island commanding a Royal Navy gunboat during the Cariboo gold rush. A keen observer of life in the new world, Edmund Hope Verney corresponded on a regular basis with his father, a prominent British MP. In his letters, which are filled with lively narration and description, candid commentary, and fascinating personal detail, he talks about having 'the opportunity to observe a colony in [its first] stage of existence' and to 'watch the development of a community.'
The idea that morris dancing captures the essence of ancient Englishness, inherently carefree and merry, has been present for over four hundred years. The Ancient English Morris Dance traces the history of those attitudes, from the dance's introduction to England in the fifteenth century, through the contention of the Reformation and Civil War, during which morris dancing and maypoles became potent symbols of the older ways of living. Thereafter it developed and diversified, neglected and disdained, until antiquaries began to take an interest in its history, leading to its re-invention as emblematic of Victorian concepts of Merrie England in the nineteenth century. The quest for authentic understanding of what that meant led to its revival at the beginning of the twentieth century, but that was predicated on the perception of it as part of England's declining rural past, to the neglect of the one area (the industrial north-west) where it continued to flourish. The revival led in turn to its further evolution into the multitude of forms and styles in which it may be encountered today.
Death and the Body in the Eighteenth-Century Novel demonstrates that archives continually speak to the period's rising funeral and mourning culture, as well as the increasing commodification of death and mourning typically associated with nineteenth-century practices. Drawing on a variety of historical discourses--such as wills, undertaking histories, medical treatises and textbooks, anatomical studies, philosophical treatises, and religious tracts and sermons--the book contributes to a fuller understanding of the history of death in the Enlightenment and its narrative transformation. Death and the Body in the Eighteenth-Century Novel not only offers new insights about the effect of a growin...