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This is the first scholarly edition of the Memoirs of Laetitia Van Lewen Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift's first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist's private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington's own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions. Original...
The fascinating story of one of the Eighteenth-century's most extraordinary women. Poetess, fallen woman and wit, Laetitia Pilkington spent her life as close to fame as she was near to ruin. Through humour and intelligence - and her skilful use of scandal, most notably in her Memoirs - she survived on the very fringes of respectability. This biography tells of a woman determined to be known as a writer on equal terms with men.
Thompson presents a re-appraisal of the 'scandalous memoirists' Costantia Phillips and Laetitia Pilkington, who feature with a cast of other 18th century apologists, and overturns scholarship's traditional discrediting of them.
This volume brings together all the poems by the two women which are available in several 18th-century anthologies. This edition prints the poems in their original format as transcribed from the editions in the Bodleian Library. Notes have been added to explain references contemporary and classical, and a brief introduction sets the poets in their background. Because Laetitia Pilkington published her poems randomly interspersed in her Memoirs, this edition reproduces where available for each poem her comments from the Memoirs which often set the poem in context. A companion volume to The Poetry of Mary Barber (Mellen, 1992), this means that virtually all of the poems attributed to these three women are now accessible to scholars and students.
A story of celebrity, sex and literature in early eighteenth century London and Dublin