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An Innovative Narration Encompassing A Wide Range Of Emotions And Experience In Mauni`S Mindscape, This Volume Is An Expression Of Life`S Irregular Rhythm And Qualifies It As A Compulsive Read.
'A masterclass of contemporary Tamil poetry' - Namita Gokhale In 2003, a group of men and women, setting themselves up as guardians of Tamil culture, objected publicly to the language of a new generation of women poets - particularly in the work of Malathi Maithri, Salma, Kutti Revathi and Sukirtharani - charging the women with obscenity and immodesty. More than a decade later, a deep divide still persists in the way readers and critics perceive women poets. Tamil women poets have been categorized as 'bad girls' and 'good girls'. The traditional values prescribed for the 'good' Tamil woman are fearfulness, propriety and modesty. Our poets have chosen, instead, the opposite virtues - fearlessness, outspokenness and a ceaseless questioning of prescribed rules. This anthology celebrates the poetry of the four poets through Lakshmi Holmstrom's English translation.
Exploring themes of personal loss, sexuality, identity and selfhood, and a quest for meaning in a fluid world, this collection of short stories by Ambai articulates the real experience of women and communicates their silences in words and images.
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The Rapids of a Great River begins with selections from the earliest known Tamil poetry dating from the second century CE. The writings of the Sangam period laid the foundation for the Tamil poetic tradition, and they continue to underlie and inform the works of Tamil poets even today. The first part of this anthology traverses the Sangam and bhakti periods and closes with pre-modern poems from the nineteenth century. The second part, a compilation of modern and contemporary poetry, opens with the work of the revolutionary poet Subramania Bharati. Breaking free from prescriptions, the new voices—which include Sri Lankan Tamils, women and dalits, among others—address the contemporary reader; the poems, underscored by a sharp rhetorical edge, grapple with the complexities of the modern political and social world. The selection is wide-ranging and the translations admirably echo the music, pace and resonance of the poems. This anthology links the old with the new, cementing the continuity of a richly textured tradition. There is something in the collection for every reader and each will make his or her own connections—at times startling, at other times familiar.
In May 2009, the Sri Lankan government officially announced the end of a civil war that had been ravaging the island for almost three decades. During all these years, Tamil poets have commented on the war and its vicissitudes in what constitutes an extraordinary body of poetry. Together these poems can be read as an alternative history of the war. This collection of up to 50 poems translated from the original Tamil, comes with an afterword that will provide readers with the historical and political context of Sri Lanka's war, while also mapping literary developments during that period.
A collection of 10 unforgettable stories, Waterness captures the spalshing colours of life in Punjai, in the heart of Thanjavur district. Set against a broader perspective of modern urban life and the piercing pressures of alienation, these stories are about memories, and about memory.
For the first time in English a selection of fiction, non-fiction and poetry showcasing the breadth and depth of one of the most versatile and innovative Tamil writers is available. Known for technical brilliance, Ramaswamy s writing is underscored by compassion, humour and disquieting endings.
THE BODY WAS THE ONLY TRUTH SHE KNEW. IT WAS THE BODY ALONE THAT WAS LEFT, EVEN AS SHE WENT BEYOND THE BODY. JOURNEYS FORM THE LEITMOTIF OF THESE ASTONISHING NEW STORIES BY AMBAI. SOMETIMES CULMINATING IN AN UNCONVENTIONAL LOVE AFFAIR, SOME ARE EXTRAORDINARY TALES OF LOYALTY AND INTEGRITY; OTHERS TOUCH ON THE ALMOST FANTASTIC, ABSURD ASPECT OF MUMBAI. YET OTHERS EXPLORE THE NOTION OF A WHOLESOME SELF, AND ITS TRAGIC ABSENCE AT TIMES.