Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Toward Cinema and Its Double
Jayamanne brings together her discussions of Australian films, Sri Lankan films, European art films, silent film comedy, contemporary American films and her own films.
The Epic Cinema of Kumar Shahani
Laleen Jayamanne examines the major works of leading Indian film director, Kumar Shahani, and explores the reaches of modernist film aesthetics in its international form. More than an auteur study, Jayamanne approaches Shahani's films conceptually, as those that reveal cinema's synaesthetic capabilities, or "cinaesthesia." As the author shows, Shahani's cinematic project entails a modern reformulation of the ancient oral tradition of epic narration and performance in order to address the contemporary world, establishing a new cinematic expression, "an epic idiom." As evidenced by his films, constructing cinematic history becomes more than an archival project of retrieval, and is instead a living history of the present which can intervene in the current moment through sensory experiences, propelling thought.
The Woman at the Keyhole
"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance "... this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." -- The Independent When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.
Hong Kong Connections
Since the 1960s, Hong Kong cinema has helped to shape one of the world's most popular cultural genres: action cinema. Hong Kong action films have proved popular over the decades with audiences worldwide, and they have seized the imaginations of filmmakers working in many different cultural traditions and styles. How do we account for this appeal, which changes as it crosses national borders? Hong Kong Connections brings leading film scholars together to explore the uptake of Hong Kong cinema in Japan, Korea, India, Australia, France and the US as well as its links with Taiwan, Singapore and the Chinese mainland. In the process, this collective study examines diverse cultural contexts for action cinema's popularity, and the problems involved in the transnational study of globally popular forms suggesting that in order to grasp the history of Hong Kong action cinema's influence we need to bring out the differences as well as the links that constitute popularity.
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz
=1. Develops a theory of poetic cinema through detailed analysis of silent and sound films and establishes link between poetic images and poetic (oblique) modes of acting. 2. Introduces non-Western theoretical ideas outside the purview of Euro-American film theory, such as Henry Corbin's Sufi ideas of the 'Iimaginal World' and 'Cognitive Imagination' to analyse Parjanov's Ashik Kerib, on a Sufi poet. 3. Marcel Mauss' concept of the gift derived from his anthropological study of Maori culture is used to formulate a reciprocal relationship between film and the viewer as a scholar of cinema.
Kiss Me Deadly
These essays break with many of the givens of traditional feminist film theory and examine the work of directors outside the canon, including Kathryn Bigelow, Jane Campion, Rainer Werner Fassbinder, and Martin Scorsese. Kiss Me Deadly offers a refreshing emphasis on new theoretical perspectives as well as new interpretations of old ones.
Framer Framed
Framer Framed brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces--Living isRound, and Surname Viet Given Name Nam.
Modernism/Postmodernism
The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right.
Toward Cinema and Its Double
Jayamanne brings together her discussions of Australian films, Sri Lankan films, European art films, silent film comedy, contemporary American films and her own films.
Feminism And The Politics Of Difference
Versions of Jacki Huggins's 'Pretty deadly tidda business' have appeared in Hecate vol. 17, no. 1; 1991, I lndyk, ed.; Memory (Southerly 3, 1991) HarperCollins, Sydney, 1991; Second Degree Tampering, Sybylla Feminist Press, Melbourne, 1992. Laleen Jayamanne's 'Love me tender, love me true ... ' was first published in Framework 38139, 1992. A version of Smaro Kamboureli's 'Of black angels and melancholy lovers' appeared in Freelance (Saskatchewan Writers' Guild), xxi, 5 (Dec. 1991-Jan. 1992). Roxana Ng's 'Sexism, racism and Canadian nationalism' appeared in Race, Class, Gender: Bonds and Barriers, Socialist Studies/Etudes Socialistes: A Canadian Annual no. 5, 1989. Trinh Minh-ha's 'All-owning spectatorship' has also appeared in her collection of essays When the Moon Waxes Red, Routledge, NY, 1991.
