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What if the first modern republic in the world was not America or France but a gold-rich state founded in 1777 in the middle of West Kalimantan? Entrepreneur Hector Yan sets off on a perilous journey after the mysterious murder of his aunt, travelling from Singapore to Hong Kong, Shanghai, Kuala Lumpur and West Kalimantan, in a desperate effort to uncover a priceless treasure. His path mirrors that undertaken by his famous late uncle, who was obsessed with uncovering a lost treasure from a former republic in the thick jungles of Borneo. In a tale interwoven with the rich tapestry of Southeast Asia, Hector races against time to prevent his enemies from uncovering secrets that could change the world as we know it.
When learned scholar Ching Ko-Ou encounters the lovely Lan-fang crying in her garden, he tries to apply his vast wisdom to diagnose the cause of her sadness. But his advice only leads to more tears until he decides there is but one solution - take Lan-fang's hand in marriage himself. Yet even marital bliss cannot quell Lan-fang's mysterious sorrows in this ironic tale of love, longing, and the limitations of even the greatest wisdom.
This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic...
The answers to these questions - and much, much more - are to be found in The Changing Room , which traces the origins and variations of theatrical cross-dressing through the ages and across cultures. It examines: * tribal rituals and shamanic practices in the Balkans and Chinese-Tibet * the gender-bending elements of Greek and early Christian religion * the homosexual appeal of the boy actor on the traditional stage of China, Japan and England * the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator * artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary and the New York Dolls. Lavishly illustrated with unusual and rare pictures, this is the first ever cross-cultural study of theatrical transvestism. It is a must for anyone interested in cross-dressing, theatre, and gender.
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An imaginative tour de force, Starfall consists of three dramatic dialogues among real people in imagined settings. Anchoring each of the dialogues is the great Russian film director and theoretician Sergei Eisenstein, whose artistic theories (in all their formations and reformations) run throughout the book, illustrating the influences that affected the Soviet art world in the period between the two world wars. In The Aquarians Eisenstein meets Bertolt Brecht in the first-class compartment of a train heading from Berlin to Moscow in 1932. They spend the night discussing and arguing about everything from the use of Renaissance magic in art tosome kind of Wagnerian Gesamtkunstwerk, in which e...
Amongst the Chinese exists great cultural variety and diversity. The Cantonese care more for profit than face and are good businessmen, whereas Fujian Rn are frank, blunt and outspoken but daring and generous. Beijing Rn are more aristocratic and well-mannered, having stayed in a city ruled by emperors of different dynasties. Shanghai Rn are more enterprising, adventurous and materialistic but less aristocratic, having been at the center of pre-war gangsterism. Hainan Rn are straightforward, blunt and stubborn. Hunan Rn are more warlike and have produced more marshals and generals than any other province.Pioneers of Modern China is a fascinating book that paints a vivid picture of the unique cultural characteristics and behavior of the Chinese in the various provinces. Using leaders in the modern history of China, such as Sun Yat Sen, Chiang Kai Shek, Mao Zedong, Zhou Enlai, Deng Xiaoping, Jiang Zemin, Hu Jintao and Wen Jiabao as representatives, it offers an in-depth look into the psyche of the Chinese people. It also pays tribute to writers, painters and kungfu experts, who have helped to develop the country socially and artistically.
The first book-length study in any language of the presence and influence of Mei Lanfang, the internationally known Chinese actor who specialized in female roles on the twentieth-century international stage. Tian investigates Mei Lanfang's presence and influence and the transnational and intercultural appropriations of his art.
Explores the religion developed by the Quanzhen Taoists, who sought to cultivate the mind not only through seated meditation, but also throughout the daily activities of life.
This book recounts the opera roles of Mei Lanfang, and consists of mostly illustrations that were distributed in scrolls or programs distributed to American audiences.