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Includes assessing the problem, collecting data, cleaning and maintaining the site, and caring for gravestones.
"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.
This study aims to overturn 20th-century criticism that cast the English virtuosi of the 17th and early 18th centuries as misguided dabblers, arguing that they were erudite individuals with solid grounding in the classics, deep appreciation for the arts and sincere curiosity about the natural world.
The Mind Is a Collection approaches seventeenth- and eighteenth-century theory of the mind from a material point of view, examining the metaphors for mental activity that invoked the material activity of collection.
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Ancient Technologies and Archaeological Materials presents solutions to questions of dating, composition, provenience, and technology through the application of instrumental techniques to archaeological materials. The book also examines the reconstruction of early environments through analysis of bone and plant remains, the replication of artifacts to better understand ancient technologies through experimental archaeology, and the authentication of museum objects.