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Free Woman
'A fascinating mix of literary criticism, cultural history and memoir ... Highly enjoyable' Sunday TimesHow might we live more freely, and will we be happier or lonelier if we do? Rereading The Golden Notebook in her thirties, Lara Feigel discovered that Doris Lessing spoke directly to her as a woman, writer and mother in a way that no other novelist had done. Veering between admiration and fury at the choices Lessing made, Feigel conducts a dazzling investigation into the joys and costs of sexual, psychological, intellectual and political freedom. The result is this genre-defying book: at once a meditation on life and literature and a daring act of self-exposure.
The Group
'A very funny and brilliant book. Feigel does a thorough and virtuosic job of describing the dilemmas of contemporary middle-class women' Rachel Cusk The five of them - Stella, Priss, Kay, Helena and Polly - met at university, their lives full of lazy afternoons and late nights. Friendship seemed simple and there was such pleasure in the endless talk and in just living alongside each other. Now the women are turning forty and they're finding that a shared past can sometimes be a burden. They're all struggling to navigate the ways in which their lives have differed from the plans they made themselves and the hopes they had for each other. In the past, solidarity came easily, but now they compare lovers, husbands, jobs, children and sofas, asking how the choices they've made or failed to make hold up. As marriages end and secrets emerge, they wonder whether these people, the ones who know so much about them, are really the ones they can confide in.
The Love-charm of Bombs
When the first bombs fell on London in August 1940, the city was transformed overnight into a battlefront. For most Londoners, the sirens, guns, planes and bombs heralded gruelling nights of sleeplessness, fear and loss. But for Graham Greene and some of his contemporaries, this was a bizarrely euphoric time when London became the setting for intense love affairs and surreal beauty. At the height of the Blitz, Greene described the bomb-bursts as holding one 'like a love-charm'. As the sky whistled and the ground shook, nerves were tested, loyalties examined and infidelities begun. The Love-charm of Bombs is a powerful wartime chronicle told through the eyes of five prominent writers: Elizabe...
The Bitter Taste of Victory
As the Second World War neared its conclusion, Germany was a nation reduced to rubble: 3.6 million German homes had been destroyed leaving 7.5 million people homeless; an apocalyptic landscape of flattened cities and desolate wastelands. In May 1945 Germany surrendered, and Britain, America, Soviet Russia and France set about rebuilding their zones of occupation. Most urgent for the Allies in this divided, defeated country were food, water and sanitation, but from the start they were anxious to provide for the minds as well as the physical needs of the German people. Reconstruction was to be cultural as well as practical: denazification and re-education would be key to future peace and the a...
Literature, Cinema and Politics 1930-1945
This book tells the story of a generation of writers who were passionately engaged with politics and with cinema, exploring the rise and fall of a distinct tradition of cinematic literature. Dismayed by the rise of fascism in Europe and by the widening gulf separating the classes at home, these writers turned to cinema as a popular and hard-hitting art form. Lara Feigel crosses boundaries between high modernism and social realism and between 'high' and 'popular' culture, bringing together Virginia Woolf with W.H. Auden, Elizabeth Bowen with John Sommerfield, Sergei Eisenstein with Gracie Fields. The book ends in the Second World War, an era when the bombs and searchlights rendered everyday l...
The Group
This smash bestseller about privileged Vassar classmates shocked America in the sixties and remains “juicy . . . witty . . . brilliant” (Cosmopolitan). At Vassar, they were known as “the group”—eight young women of privilege, the closest of friends, an eclectic mix of vibrant personalities. A week after graduation in 1933, they all gather for the wedding of Kay Strong, one of their own, before going their separate ways in the world. In the years that follow, they will each know accomplishment and loss in equal measure, pursuing careers and marriage, experiencing the joys and traumas of sexual awakening and motherhood, all while suffering through betrayals, infidelities, and sometim...
New Selected Journals, 1939-1995
Private faces in public places Are wiser and nicer Than public faces in private places. W.H. Auden, dedication to Stephen Spender, 1932 Stephen Spender wrote almost a million words of journal entries between his September Journal in 1939 and his death in 1995. In choosing from these voluminous journals for the new edition, the editors have tried to provide a picture of the various lives Spender brought together in autobiographical form. The earlier 1985 edition of the Journals was overseen by the author, and it privileged his thoughts about poetry - his own and other people's. The new edition includes the final ten years of Spender's life and provides access to the more intimate thoughts and...
Supper Club
Riotously fun and uplifting, a coming-of-age story about difficult friendships, delicious feasts, and taking control of your body and your happiness - a richly indulgent and life-affirming novel from one of the most exciting new voices in literature WINNER of the GUARDIAN 'NOT THE BOOKER' PRIZE 2019 Selected in BEST BOOKS OF THE YEAR - Vogue, TIME, Vulture, Woman and Home 'Subversive, radical, written with total glee and rollicking sense of unlimited possibility. Williams is one to watch' Stylist If you feed a starving woman, what will she grow into? Twenty-nine year old Roberta has spent her whole life hungry. So she invents Supper Club: a secret society for women sick of bad men and bad se...
Laura Knight
Dame Laura Knight RA (1877-1970) was the first female member to be elected to the Royal Academy of Arts, submitting Dawn, her now famous painting of two female nudes, as her Diploma Work in 1936. In 1965 the Academy's major retrospective of her work recognised her importance in British art.0This autumn an exhibition of Knight's drawings opens at the RA. Drawing was a key part of her practice, and allowed her to capture at speed her various subjects, which include travellers, circus performers, boxers, ballet dancers and ice skaters. Drawing allowed her to capture with immediacy the exuberant life of her models, as well as being a vital recording tool when she witnessed one of the most important events of the twentieth century: the Nuremberg trials.0In this new publication on the artist, Annette Wickham and Helen Valentine present the Academy's holdings of her drawings with an in-depth analysis focused on three key subjects within her work: the nude, the working woman and country life.00Exhibition: Royal Academy of Arts, Tennant Gallery, London, UK (02.09.2019-02.02.2020).
Look! We Have Come Through!
Lara Feigel listens to birds outside her window - their circling, strident calls - and thinks of D. H. Lawrence. It is the spring of 2020 and, as the pandemic takes hold, she locks down in rural Oxfordshire with her partner, her two children, and that most explosive of writers.Proceeding month by month through the year, she sets out to start again with Lawrence: to find vital literary companionship; to use him as a guide to rural living and even, unexpectedly, to child-rearing; to find a way through his writing to excavate the modern world she feels he helped bring into being. Tracing the arc of Lawrence's life and delving deep into his writings, she confronts his anger, his passion, his tum...
