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‘Hypergamy: marriage into an equal or higher caste or social group’ --Merriam Webster. Who are you dating? Have you considered hypergamy? Perhaps you should. There are real, consequential reasons behind women’s long-held preferences for mates of high breeding, wealth, and ability. My well-researched book discusses the nature, history, and current-day implications of this preference and practice, and draws some very interesting conclusions. Do you have a list of qualifications for your ideal date? A thoughtful read of this book just might change that list. Making hypergamy a requirement in your dating search will serve not only to provide access to a better standard of living but to screen out unsuitable prospects. Only men who fit the bill will bother to apply. And you’ll see a drastic improvement in your love life. Why? Because protective care is one of the greatest gifts a man can give -- and one of the greatest rewards of being a woman.
Alexander Leonidovich Ryzhkov, a Russian oligarch and former general in the Russian Military Intelligence Directorate (GRU), runs a covert operation in the Middle East, supplying Saudi terrorists with four Russian nuclear suitcase bombs to target two American cities. A CIA operation (Operation Avenging Eagles) thwarts the planned attack and kills many Russian operatives, including his brother Sergei Ryzhkov. The oligarch is out for revenge. Ryzhkov approached a former CIA station chief and offered him money in exchange for the CIA operatives' names. Armed with this intelligence, he launched his vendetta, targeting the former CIA operatives on Operation Avenging Eagles.’ Can Mark Ericksen and his former operatives avoid the assassins' killing efforts and turning around the deadly game of hunter and prey?
The Routledge Handbook of Religion and the Body is the first comprehensive volume to feature multireligious cross-cultural perspectives on the body and embodiment. Featuring multidisciplinary approaches and methodologies from the humanities and the social sciences, it addresses the body and embodied religiosity in theological, ethical, and cultural contexts. Comprised of 30 chapters by a team of international contributors, the handbook is divided into four parts: Theology and Embodied Religiosity Gender, Sexuality, and Body Regulations Ritual and Performance Religion, Healing, and the Future of the Body Each part examines central issues, debates, and problems in relation to global belief sys...
Emerging and re-emerging viruses are a constant threat to plants. Despite intensive efforts to manage and prevent plant viruses and their potential vectors in crop production processes, many crops are damaged each year. This new book reviews the progress made to date and the challenges ahead in the field of plant viruses and agricultural production. It sheds light on previously undiscovered plant viruses, bringing together information on the detection and tracking, host interaction, evolution, and management. The first section covers the various hidden sources of plant viruses such as from wild plants, weeds, and tobacco as well as other undetermined plant virus sources. The second section covers the implications of mixed infection on disease pathogenicity and epidemiology, provides an understanding of the virus and host relationship, and presents an overview of plant viruses from old to new. Providing new and important knowledge on major plant viruses and discussing their nature as well as impact on plants, this volume will be of special interest to research scholars, professors, and scientists working on plant and environmental viruses.
The renowned Internet commentator and author of How to Fix the Future“expos[es] the greed, egotism and narcissism that fuels the tech world” (Chicago Tribune). The digital revolution has contributed to the world in many positive ways, but we are less aware of the Internet’s deeply negative effects. The Internet Is Not the Answer, by longtime Internet skeptic Andrew Keen, offers a comprehensive look at what the Internet is doing to our lives. The book traces the technological and economic history of the Internet, from its founding in the 1960s through the rise of big data companies to the increasing attempts to monetize almost every human activity. In this sharp, witty narrative, inform...
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities. This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows. This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.
This book is situated at the intersection of queer/gender studies and theories of acting pedagogy and performance. It explores the social and cultural matrix in which matters of gender are negotiated, including that of post-secondary theatre and drama education. It identifies the predicament of gender dissident actors who must contend with the widespread enforcement of realist paradigms within the academy, and proposes a re-imagining of the way drama/theatre/performance are practised in order to serve more fairly and effectively the needs of queer actors in training. This is located within a larger project of critique in reference to the art form as a whole. The book stimulates discussion among practitioners and scholars on matters concerning various kinds of diversity: of gender expression, of approaches to the teaching of acting, and to the way the art form may be imagined and executed in the early years of the 21st Century, in particular in the face of the climate crisis. But it is also an aid to practitioners who are seeking new theoretical and practical approaches to dealing with gender diversity in acting pedagogy.
Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually or in tension with one another, the essays confront the contemporary complexities of analysing gender in performance.