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All These Ashes
Russell Avery needs a story to tell. The laid-off reporter turned private investigator is almost out of clients after he stood up against the Newark police officers whose problems he used to fix for a paycheck, exposing a scandal that left him on the wrong side of one of those thin blue lines. Desperate for work, Russell is as elated as he is skeptical when a detective shows up on his doorstep, asking him to look into one of the Brick City's most haunting mysteries: The Twilight Four killings. The detective tells Russell a story almost too good to be true, but maybe good enough to save his otherwise doomed journalism career if it is true. Supposedly, the wrong man was convicted in the brutal...
In the Not Quite Dark
Following her prize–winning collection Break Any Woman Down, Dana Johnson returns with a collection of bold stories set mostly in downtown Los Angeles that examine large issues –love, class, race – and how they influence and define our most intimate moments. In "The Liberace Museum," a mixed–race couple leave the South toward the destination of Vegas, crossing miles of road and history to the promised land of consumption; in "Rogues," a young man on break from college lands in his brother's Inland Empire neighborhood during a rash of unexplained robberies; in "She Deserves Everything She Gets," a woman listens to the strict advice given to her spoiled niece about going away to college, reflecting on her own experience and the night she lost her best friend; and in the collection's title story, a man setting down roots in downtown L.A. is haunted by the specter of both gentrification and a young female tourist, whose body was found in the water tower of a neighboring building. With deep insight into character, intimate relationships, and the modern search for personal freedom, In the Not Quite Dark is powerful new work that feels both urgent and timeless.
I Hold a Wolf by the Ears
ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of ...
In the Event of Contact
Flaming stories of the necessity and abuse of connection, and the persistence of wonder.
Fra Keeler
The debut novel from PEN/Faulkner award-winning author of Call Me Zebra and Savage Tongues is a comic psychological thriller, an absurdist journey into the heart of darkness. A man purchases a house, the house of Fra Keeler, moves in, and begins investigating the circumstances of the latter's death. Yet the investigation quickly turns inward, and the reality it seeks to unravel seems only to grow stranger, as the narrator pursues not leads but lines of thought, most often to hideous conclusions.
The Disintegrations
This innovative, haunting autobiographical novel recounts McCartney's lifelong obsession with death. Wry yet somber, astringent yet tender, The Disintegrations confronts both the impossibility of understanding death and the timeless longing for immortality.
Black Sabbath's Master of Reality
John Darnielle describesMaster of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric center in southern California in 1985. The narrator explains Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.
Call Me Zebra
Winner of the PEN/Faulkner Award for Fiction "Hearken ye fellow misfits, migrants, outcasts, squint-eyed bibliophiles, library-haunters and book stall-stalkers: Here is a novel for you."--Wall Street Journal "A tragicomic picaresque whose fervid logic and cerebral whimsy recall the work of Bola o and Borges." --New York Times Book Review Finalist for the PEN/Faulkner Award for Fiction * Longlisted for the PEN/Open Book Award * An Amazon Best Book of the Year * A Publishers Weekly Bestseller Named a Best Book by: Entertainment Weekly, Harper's Bazaar, Boston Globe, Fodor's, Fast Company, Refinery29, Nylon, Los Angeles Review of Books, Book Riot, The Millions, Electric Literature, Bitch, Hello...
Look Alive Out There
Sloane Crosley returns to the form that made her a household name in really quite a lot of households: Essays! From the New York Times–bestselling author Sloane Crosley comes Look Alive Out There—a brand-new collection of essays filled with her trademark hilarity, wit, and charm. The characteristic heart and punch-packing observations are back, but with a newfound coat of maturity. A thin coat. More of a blazer, really. Fans of I Was Told There’d Be Cake and How Did You Get This Number know Sloane Crosley’s life as a series of relatable but madcap misadventures. In Look Alive Out There, whether it’s playing herself on Gossip Girl,scaling active volcanoes, crashing shivas, befriendi...
Terror Matrix
Poetry. California Interest. Women's Studies. LGBT Studies. Politics. Occult. With spells by Z. Ozma. "For all its gnostic scholarship, the writing of Zoe Tuck always sounds absolutely contemporary. In TERROR MATRIX, we witness drones tracking the smell of cooking onions, Amazon putting its books to death, the queer body dragged to a xenophobic Liam Neeson vehicle, and everywhere, everywhere, witches on the torture rack again. It couldn't be more 2014. Zoe's privileged form is the interruption, the break within the break, another glaring condition of the now. 'This bare life's made possible by constant rupture.' Not wonderful, not horrible, just possible. Zoe has a crystalline sense of rupture as hope, as eventful change, as the fractures in the boundaries of identity, but at the same time understands it as a most useful tool for state terror, as the violent partitioning of bodies, as the multi-media cloud cutting into and across itself in order to splinter resistance and distract from its own amorality. All who share a sense of rupture's ambiguity will treasure this 'safe poetic exercise in S&M.'" Brent Cunningham"
