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The conception of disinterested pleasure is not only central to Kant’s theory of beauty but also highly influential in contemporary philosophical discourse about beauty. However, it remains unclear, what exactly disinterested pleasure is and what role it plays in experiences of beauty. This volume sheds new light on the conception of disinterested pleasure from the perspectives of both Kant scholarship and contemporary aesthetics. In the first part, the focus is on Kant’s theory of beauty as grounded on the conception of disinterested pleasure. In the second part, disinterested pleasure is investigated in the light of contemporary debates on beauty. The volume clarifies the meaning, role, and implications of one of the most influential conceptions in traditional as well as contemporary approaches to beauty.
How are artificial intelligence (AI) and the strong claims made by their philosophical representatives to be understood and evaluated from a Kantian perspective? Conversely, what can we learn from AI and its functions about Kantian philosophy’s claims to validity? This volume focuses on various aspects, such as the self, the spirit, self-consciousness, ethics, law, and aesthetics to answer these questions.
It is striking that, although philosophers have theories about the values of truth, goodness and beauty, they do not provide an account of the value of "depth," which is also frequently referred to in our everyday evaluative discourse. In Depth, Melissa Zinkin provides one of the few philosophical accounts of depth. Moreover, she does this through a new interpretation of the philosophy of Immanuel Kant. By showing that Kant was in fact arguing for this unique and important value, Zinkin shows how Kant is still relevant to contemporary philosophical discussions of value. Indeed, Kant's philosophy has much to offer anyone today who is critical of superficial or shallow thinking.
Contrast the glittering palette used to decorate rickshaws on the streets of Mumbai, the phlegmatic angst of Nordic noir, the taut ovoids of Kwakwaka'wakw carving, or the kawaii invasion of parts of Tokyo. The diversity of the aesthetic ecosystem enriches our lives. In Aesthetic Injustice, Dominic McIver Lopes draws on his earlier books, Beyond Art and Being for Beauty^—^as well as the rich tradition of cultural cosmopolitanism^—^to argue that we have interests in there being diverse conceptions of aesthetic value, each one at the centre of a thriving, self-directed aesthetic culture. These interests should govern how, from the perspective of our own aesthetic cultures, we interact with ...
"Aesthetics after Modernism argues for the ongoing relevance of aesthetics to art after modernism. In it, I show that even what are typically taken to be the hardest of hard cases engage us in recognisably aesthetic ways and, as such, remain amenable to aesthetic analysis. Why, if that is true, do so many art theorists, critics and sometimes even artists appear to think otherwise? I trace the artworld's rejection of aesthetic theory to Clement Greenberg's success in co-opting the discourse of aesthetics, notably Kant's aesthetics, to underwrite his own formalism about modernist art. Not only has this led to Kant being tarred with the brush of Greenbergian formalism; it has also led critics a...
This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick’s influential aesthetic treatise, On the Musically Beautiful (1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach. The collection features original essays written by leading scholars in philosophical aesthetics and musicology. It covers many of Hanslick’s overarching themes, such as the relationship between beauty and form, between music and emotion, and the role of imagination and performance in music, which have recently gained prominence in Hanslick scholarship. The chapters, divided into five thematic sections, will provide a better scholarly foundation for a deeper understanding of On the Musically Beautiful and its arguments. In bringing together the various approaches and accounts of the different textual, historical, conceptual, and philosophical challenges posed by Hanslick’s aesthetics, The Aesthetic Legacy of Eduard Hanslick will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues.
Various forms of control play a central role in our lives. However, the nature of control is a difficult conundrum to probe. Believing we "control" ourselves, nature or others may seem like a sign of autonomy, power and self-determination, but it is often an illusion and not always desirable. Art practices help us make sense of the questions and paradoxes related to the enhancing interplay between control and non-control by putting them on display. What happens if this interplay between the two poles collapses? What are the consequences for our forms of life?
Philosophers have discussed art – or artistic practices such as poetry – since ancient times. But systems of art and entertainment appeared only in the modern era – in the West, during the 18th and 19th centuries. And philosophers have largely neglected the concept of entertainment. In this book Andy Hamilton explores art and entertainment from a philosophical standpoint. He argues, against modernist theory, that art and entertainment are not opposites, but form a loosely connected conceptual system. Against postmodernism, however, he insists on their vital differences. Hamilton begins by questioning the received modernist view, examining artist-entertainers including Jane Austen, Char...
This book investigates various aspects of freedom as developed in the philosophical systems of Kant and Fichte. Freedom, both Kant and Fichte insist, does not mean that we can choose or think independently from all rules or necessity, but rather that we willingly accept a certain kind of submission under these rules. Therefore, the conditions of our knowledge affect and inform our self-understanding, our willing, and the ways we justify our practical choices. The essays in this volume explore both philosophers’ conceptions of human freedom as they relate to art, history, politics, and religion. They reveal how integrating freedom into a system of thought is crucial for our understanding of modern philosophy. System and Freedom in Kant and Fichte will be of interest to scholars and advanced students working on Kant, modern philosophy, and German Studies.
KILLING EVE meets THE SPY WHO CAME IN FROM THE COLD A Cold War spy’s deceits rise through time to haunt his American son, in a dual narrative split between postwar Berlin and early twentieth century New York City. Past becomes prologue as a father’s secret life and untimely death begin to make treacherous sense before delivering one final surprise. Skilled and capable, Con Mathis works for the New York District Attorney’s office. He’s movie-star handsome, charming, well educated, haunted by his expat German father’s suicide, and devoted to his mother Ruth and sister Sophie. Having completed an undercover assignment investigating the Wall Street money laundering operation of a Russi...