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America's Racial Karma
Immediate, illuminating, and hopeful: this is the key set of talks given by leading Zen Buddhist teacher Larry Ward, PhD, on breaking America's cycle of racial trauma. "I am a drop in the ocean, but I'm also the ocean. I'm a drop in America, but I'm also America. Every pain, every confusion, every good and every bad and ugly of America is in me. And as I transform myself and heal and take care of myself, I'm very conscious that I'm healing and transforming and taking care of America. I say this for American cynics, but this is also true globally. It's for real." So says Zen Buddhist teacher Dr. Larry Ward. Shot at by the police as an 11-year-old child for playing baseball in the wrong spot, ...
This Poor Man Cried
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Love's Garden
A collection of real-life Buddhist love stories, with commentary and guided exercises for couples developed by Peggy Rowe-Ward and Larry Ward, senior students and ordained Dharma teachers in the tradition of Zen Master Thich Nhat Hanh. These personal stories, from couples of a range of different ages and experiences, illustrate how Buddhist principles can help couples navigate any stage of their relationship. It took the authors some good living and good loving before they realized that the love that they were seeking was already present and available in the depths of their hearts and mind. Love does not depend on anything that is happening "Out There" and is not dependent on anything "he" o...
I Stand Convicted
The cop busted through the door and I dove out the window and into the cold night air. It was 4am, mid-December, and all I was wearing was my underwear. A thin swirl of snow circled the ground, three floors below. With his gun in one hand, the cop grabbed my leg as soon as I was out the window. He held me in place, and I stood perpendicular to the outside wall of the building. I tried to kick off the wall with the foot that was free, but I kicked the cops hand instead, and he dropped his gun and loosened his grip on my leg. I pulled free and flew away, and as I floated in the air, time played a cruel trick on me. It let me fall so slow that I had plenty of time to think how bad it was going to hurt when I landed. I calmly wondered if I would be alive once I hit the ground. I was comforted by the thought, that; if I wasn't, I would have made good my escape. The cops would certainly have me then; but, at least I would be free. It felt good, sailing through that black void, expecting what was to come. Because, in that period of time, I was free ... I was as free as a bird in captivity.
The Best Buddhist Writing 2009
A treasury of the most notable, profound, and thought-provoking Buddhism-inspired writing published in the last year. The Best Buddhist Writing 2009 includes: * An interview with novelist Tom Robbins * Guiding principles for a new ecospirituality from Thich Nhat Hanh * Jack Kornfield on basic human goodness * Pico Iyer's portrait of the Dalai Lama * Olivia Ames Hoblitzelle on a couple's journey through Alzheimer's disease * The Dzogchen Ponlop Rinpoche on the true, enlightened nature of mind * Wendy Johnson on bringing the beginner's mind to gardening * A mindfulness practice from Pema Ch�dr�n to help us wake up to the world around us * Joan Halifax on approaching death with fearlessness...
America's Racial Karma
Immediate, illuminating, and hopeful: this is the key set of talks given by leading Zen Buddhist teacher Larry Ward, PhD, on breaking America’s cycle of racial trauma. As an 11-year-old child, Zen Buddhist teacher Larry Ward was shot at by the police for playing baseball in the wrong spot. As an adult, he experienced the trauma of having his home firebombed by racists. At Plum Village Monastery in France—the home in exile of his teacher, Vietnamese peace activist and Zen teacher Thich Nhat Hanh—Dr. Ward found a way to heal. In these short reflective essays, he offers his insights on the effects of racial constructs and answers the question: How do we free ourselves from our repeated cy...
Actors of the Spaghetti Westerns
Musical accompaniment were jazzed up renditions that basically fit the art form like a glove with a stylish beat that usually pounded out the action as the story unfolded. The music set the mood and the audiences followed. Most of these films would never reach America during the era, even though they were generally aimed at the American film goers. The Actors who went to Italy and got involved in these lucrative new genre spinoffs all enjoyed star status, recognition and glow of the limelight that came with it. These are the Actors were talking about here.
