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The Menorah
Introduction: Standing before the Arch of Titus menorah -- From Titus to Moses-and back -- Flavian Rome to the nineteenth century -- Modernism, Zionism, and the menorah -- Creating a national symbol -- A Jewish holy grail -- The menorah at the Vatican -- Illuminating the path to Armageddon
The Framing of Sacred Space
As architectonic objects of basic structural and design integrity, canopies provide means for an innovative understanding of the materialization of the idea of the Byzantine-rite church. The Framing of Sacred Space considers both the material and conceptual framing of sacred space and explains how the canopy bridges the physical and transcendental realms.
Rhetoric and Rhythm in Byzantium
A study of the presence and effects of rhythm in Byzantine rhetoric, its musical qualities, and its function in argumentation.
Fountains and Water Culture in Byzantium
This collection explores the ancient fountains of Byzantium, Constantinople and Istanbul, reviving the senses of past water cultures.
Eccentric Renaissance
Eccentric Renaissance shows how El Greco and two other sixteenth-century Cretan artists, Michael Damaskenos and Georgios Klontzas, actively engaged in a re-casting of the Byzantine tradition of icon painting on the Venetian colony of Crete. In so doing, they created art that articulated a point of view that was shaped outside of and against the hegemonic world of Vasari's account of art history. Building upon their own tradition, they developed a highly original understanding of the icon and explored its power to reconcile Byzantine and Renaissance styles of painting and provide a response to the growing presence of Islam.
Viewing Inscriptions in the Late Antique and Medieval World
This book considers the visual qualities of inscriptions from a cross-cultural perspective focusing on the period from Late Antiquity to the Middle Ages.
Lumen
Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural worl...
The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps
The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.
Lighting in Early Byzantium
This book is the first general survey of lighting in Byzantium. The first part of the book discusses the technology and types of lighting devices and explains their decorative symbolism and social function. The second half illustrates this narrative by drawing on a Dumbarton Oaks exhibition.
