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A nação por um fio
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Traces of the Unseen
A richly illustrated examination of photography as a technology for documenting, creating, and understanding the processes of modernization in turn-of-the-century Brazil and the Amazon Photography at the turn of the twentieth century was not only a product of modernity but also an increasingly available medium to chronicle the processes of modernization. Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America situates photography’s role in documenting the destruction wrought by infrastructure development and extractive capitalist expansion in the Amazon and outside the Brazilian metropole. Combining formal analysis of individual photographs w...
Religion
What do we talk about when we talk about "religion"? Is it an array of empirical facts about historical human civilizations? Or is religion what is in essence unpredictable--perhaps the very emergence of the new? In what ways are the legacies of religion--its powers, words, things, and gestures--reconfiguring themselves as the elementary forms of life in the twenty-first century? Given the Latin roots of the word religion and its historical Christian uses, what sense, if any, does it make to talk about "religion" in other traditions? Where might we look for common elements that would enable us to do so? Has religion as an overarching concept lost all its currency, or does it ineluctably retu...
Stringing Together a Nation
Focusing on one of the most fascinating and debated figures in the history of modern Brazil, Stringing Together a Nation is the first full-length study of the life and career of Cândido Mariano da Silva Rondon (1865–1958) to be published in English. In the early twentieth century, Rondon, a military engineer, led what became known as the Rondon Commission in a massive undertaking: the building of telegraph lines and roads connecting Brazil’s vast interior with its coast. Todd A. Diacon describes how, in stringing together a nation with telegraph wire, Rondon attempted to create a unified community of “Brazilians” from a population whose loyalties and identities were much more local ...
Empires and Autonomy
Globalization is one of the most significant developments of our time. But which elements of contemporary globalization and forms of autonomy are novel and which are merely continuations of long-standing trends? This book brings together a distinguished group of scholars who focus on historical moments that involved the establishment or protection of autonomy, moments that inevitably involved friction. By examining the dialectic between globalization and autonomy at historical junctures ranging from the Chinese occupation of Tibet in 1720 to the meeting between Reagan and Gorbachev that led to the end of the Cold War, this volume provides novel insights into the changes overtaking our contemporary world.
Foundational Films
In her authoritative new book, Maite Conde introduces readers to the crucial early years of Brazilian cinema. Focusing on silent films released during the First Republic (1889-1930), Foundational Films explores how the medium became implicated in a larger project to transform Brazil into a modern nation. Analyzing an array of cinematic forms, from depictions of contemporary life and fan magazines, to experimental avant-garde productions, Conde demonstrates the distinct ways in which Brazil’s early film culture helped to project a new image of the country.
Amazonian Cosmopolitans
Amazonian Cosmopolitans focuses on the autobiographical accounts of two Brazilian Indigenous leaders, Prepori and Sabino, Kawaiwete men whose lives spanned the twentieth century, when Amazonia increasingly became the context of large-scale state projects. Both give accounts of how they worked in a range of interethnic enterprises from the 1920s to the 1960s in central Brazil. Prepori, a shaman, also gives an account of his relations with spirit beings that populate the Kawaiwete cosmos as he participated in these projects. Like other Indigenous Amazonians, Kawaiwete value engagement with outsiders, particularly for leaders and shamanic healers. These social engagements encourage a careful wa...
Entre o "Direito à Memória" e o direito à história
O livro analisa o desenvolvimento de uma prática historiográfica inspirada na primeira administração do Partido dos Trabalhadores na cidade de São Paulo, ocorrida entre 1989 e 1992. Nesses anos, a ideia de "Direito à Memória" foi compreendida como meio de produção de "cidadania", uma política pública voltada para a população periférica, para os movimentos sociais e para uma prática curricular de escolas municipais, interligando a memória social e o patrimônio histórico. O desenvolvimento historiográfico de uma prática política no ambiente acadêmico, ocorrida em função de um projeto financiado pela Capes, na visão do autor, permitiu a sobreposição da ideia de "direito à história" ao "Direito à Memória", caracterizando a participação de um "sujeito pluralizado", marcado pelas influências da linguagem e da pós-modernidade, na escrita do texto historiográfico.
