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Jeannie is twenty years old and she's Lancashire's worst perfume girl. She works in her small town's department store, where all the other girls have perfect make-up (if a little too orange, and a mite too thick) and hair in buoyant ponytails. Jeannie, with wet hair and pale skin, doesn't fit the bill. And she doesn't really care - she arrived as a temp two years ago and has never got round to leaving. Being bored by work gives her plenty of time to think about her impending nuptials to Jimmy, her teenage sweetheart who's now a mechanic. He's a local lad and like everyone in the town, he lives for Saturday nights: beer, brawls and bare flesh. Jeannie is happier at home on the sofa, or better still, day-dreaming about leaving the town behind. Just as her feet are at their most cold, she stumbles upon Danny at the train station. He's a well-read, well-travelled, sophisticated ladies' man and represents everything her life is not. Or at least that's how it seems. And before long, it all becomes complicated.
What happened was this; I left my job; I left my marriage and left my home; I fell in love with someone new, only to find that he was not at all the person he claimed to be. And then I lost my mind. This is an enquiry into the history, science and musicology of our love of sad music. It will follow the journey Laura made to Graceland, through the American South, looking at how different musical genres - from the blues to Sacred Harp, Gospel, Soul, Country and Rock treat the matter of sadness, and in doing so comes to understand her own. Beautifully written, moving and wide-ranging, Sad Songs explores the sacred role that music plays in our emotional lives.
Jeannie is twenty years old and she's Lancashire's worst perfume girl. She works in her small town's department store, where all the other girls have perfect make-up (if a little too orange, and a mite too thick) and hair in buoyant ponytails. Jeannie, with wet hair and pale skin, doesn't fit the bill. And she doesn't really care - she arrived as a temp two years ago and has never got round to leaving. Being bored by work gives her plenty of time to think about her impending nuptials to Jimmy, her teenage sweetheart who's now a mechanic. He's a local lad and like everyone in the town, he lives for Saturday nights: beer, brawls and bare flesh. Jeannie is happier at home on the sofa, or better still, day-dreaming about leaving the town behind. Just as her feet are at their most cold, she stumbles upon Danny at the train station. He's a well-read, well-travelled, sophisticated ladies' man and represents everything her life is not. Or at least that's how it seems. And before long, it all becomes complicated.
Swim out into the Pacific and look back to the shore. To the couple kissing in the hot afternoon, and the young girl rollerskating along the front, and the family setting up camp on the soft, warm sand. To the blues and yellows and pinks of fierce, determined revelry. Santa Monica, where the wooden pier juts out into the Pacific Ocean, marks the end of Route 66. The great American journey west culminates here, and it is on this short stretch of coast that Sarah Lee began shooting her photographic series in 2015. In West of West Sarah Lee and Laura Barton explore the idea of the West in shaping American identity, with its idealism and notions of the frontier, and what the American West means in an age of political turbulence, when the East is the rising global force and the frontier is shifting once more.
Lucy Barton sedang dalam masa pemulihan dari penyakit yang tadinya hanya penyakit sederhana. Ibunya, yang sudah lama tak bicara dengan Lucy, datang menjenguknya. Mereka membicarakan orang-orang yang pernah mereka kenal dulu, dan hubungan antara ibu dan anak ini perlahan mencair. Namun di balik percakapan yang baik-baik saja, ada tekanan dan kerinduan Lucy yang mendalam, baik akan kehidupan pernikahan, impian menjadi penulis, keluarganya yang penuh masalah, dan anak-anaknya.
“Scot and Laura do an amazing job of teaching us what a good church looks like.” —Beth Moore What is the way forward for the church? Tragically, in recent years, Christians have gotten used to revelations of abuses of many kinds in our most respected churches—from Willow Creek to Harvest, from Southern Baptist pastors to Sovereign Grace churches. Respected author and theologian Scot McKnight and former Willow Creek member Laura Barringer wrote this book to paint a pathway forward for the church. We need a better way. The sad truth is that churches of all shapes and sizes are susceptible to abuses of power, sexual abuse, and spiritual abuse. Abuses occur most frequently when Christian...
Story, told in beautiful poetic prose, of the training of a present-day Navajo Indian boy who feels a vocation to become a medicine man.
The true story of a forgotten champion: “Bringing Sir Barton out from the shadows, Jennifer Kelly restores him to a richly-deserved spotlight.” ―Dorothy Ours, author of Man o’ War He was always destined to be a champion. Royally bred, with English and American classic winners in his pedigree, Sir Barton shone from birth, dubbed the “king of them all.” But after a winless two-year-old season and a near-fatal illness, uncertainty clouded the start of Sir Barton’s three-year-old season. Then his surprise victory in America’s signature race, the Kentucky Derby, started him on the road to history, where he would go on to dominate the Preakness and the Belmont Stakes, completing Am...
Bully doesn't have a kind word for any of his friends. When the other animals ask him to play, he responds in the way he's been taught: Chicken! Slow poke! You stink! Laura Vaccaro Seeger's bold, graphic artwork, along with her spare but powerful words, make for a tender, hilarious, and thoughtful tale. This title has Common Core connections. A Neal Porter Book
Liz Bartlett is a thirty something single mom who has spent too many years chasing her son's father and is ready to fall in love again. But Liz is a no nonsense, successful woman who won't date just anyone and has to be in control of anything and everything, a quality that scares away most men who cross her path. Antoinne Walker is a sexy, successful, well-educated, younger black man. Antoinne is almost everything Liz has ever wanted in man in-spite of the fact that he thinks this is still 1950 and women are the weaker sex. Liz finds his bossiness and need to take care of her sexy and sweet until the lies begin to unravel and Liz discovers Antoinne has not be honest with her about who he really is. Liz tries to move on but when she almost loses her life Antoinne is there to pick up the pieces, now can they rebuild the broken trust and begin again or will Liz have to live with losing the love of her life forever?