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The study of tourism as a complex social phenomenon, beyond simply business, is increasing in importance. Providing an examination of perceptions of culture and society in tourism destinations through the tourist's eyes, this book discusses how destinations were, and are, created and perceived through the 'lens' of the tourist's gaze.
Volume 1 of Theaters and Public Sphere in a Global and Digital Society inquires theatre, in all of its accepted meanings, in its relationship with society, institutions, cultural and local norms, and the collective imagination which these reveal.
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Tourism is an essentially visual experience: we leave our homes so as to travel to see places, thus adding to our personal knowledge about, and experience of, the world. The study of tourism as a complex social phenomenon, beyond simply business, is increasing in importance, and by providing an examination of perceptions of culture and society in tourism destinations through the tourist's eyes, this book discusses how destinations were, and are, created and perceived through the "lens" of the tourist's gaze. It is essential reading for researchers and students in tourism and related subjects.
This text discusses a variety of approaches in visual sociology, including exemplars that connect visual sociology to the history of documentary, photojournalism and art photography.
Exploring the conditions of news reporting in today’s information-flooded society, Observing News and Media in a Complex Society looks into the strands of systems theoretical studies of the mass media, journalism and the empirical studies of inter-media agenda setting. Journalism is increasingly exposed to diverse perception and facing its selectivity observed by the public. Considering this context, this book focuses on the movement of solution-oriented journalism, which seeks a new way to answer the question “what is journalism for?” and invites us to expand our understanding of media’s societal role in the societal process of problem-solving and meaning construction.
There is abundant evidence of the quasi-total domination of the sociology and anthropology of tourism by academics from the English-speaking world. This title familiarises readers in the US, UK, Australia and the English speaking regions of Africa and Asia with such evolutionary thinking.
Sounds of the Pandemic offers one of the first critical analyses of the changes in sonic environments, artistic practice, and listening behaviour caused by the Coronavirus outbreak. This multifaceted collection provides a detailed picture of a wide array of phenomena related to sound and music, including soundscapes, music production, music performance, and mediatisation processes in the context of COVID-19. It represents a first step to understanding how the pandemic and its by-products affected sound domains in terms of experiences and practices, representations, collective imaginaries, and socio-political manipulations. This book is essential reading for students, researchers, and practitioners working in the realms of music production and performance, musicology and ethnomusicology, sound studies, and media and cultural studies.