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Inventing the Fiesta City
Fiesta San Antonio began in 1891 and through the twentieth century expanded from a single parade to over two hundred events spanning a ten-day period. Laura Hernández-Ehrisman examines Fiesta's development as part of San Antonio's culture of power relations between men and women, Anglos and Mexicanos. In some ways Fiesta resembles hundreds of urban celebrations across the country, but San Antonio offers a unique fusion of Southern, Western, and Mexican cultures that articulates a distinct community identity. From its beginning as a celebration of a new social order in San Antonio controlled by a German and Anglo elite to the citywide spectacle of today, Hernández-Ehrisman traces the connections between Fiesta and the construction of the city's tourist industry and social change in San Antonio.
Inventing the Fiesta City
The story of how the multicultural identity of San Antonio, Texas, has been shaped and polished through its annual fiesta since the late nineteenth century.
They Came to Toil
As the Great Depression gripped the United States in the early 1930s, the Hoover administration sought to preserve jobs for Anglo-Americans by targeting Mexicans, including long-time residents and even US citizens, for deportation. Mexicans comprised more than 46 percent of all people deported between 1930 and 1939, despite being only 1 percent of the US population. In all, about half a million people of Mexican descent were deported to Mexico, a "homeland" many of them had never seen, or returned voluntarily in fear of deportation. They Came to Toil investigates how the news reporting of this episode in immigration history created frames for representing Mexicans and immigrants that persist...
The Duchess of Angus
Written in the 1950s and discovered by family members years after her death, Margaret Brown Kilik’s shocking coming-of-age novel of the emotional and sexual brutality of young women’s lives in wartime San Antonio deserves a place on the shelf alongside classic novels like Sylvia Plath’s The Bell Jar and Carson McCullers’s The Member of the Wedding. The Duchess of Angus reworks Kilik’s unusual personal history (her mother spent the 1930s running flophouse hotels all over the United States, leaving Margaret to be brought up by a host of relatives) into a riveting portrait of a young woman navigating a conflicted and rapidly changing world, one in which sex promises both freedom from convention and violent subjection to men’s will. Strikingly modern in its depiction of protagonist Jane Davis and her gorgeous, unreadable friend Wade Howell, The Duchess of Angus covers some of the same emotional territory as novels like Emma Cline’s The Girls and Robyn Wasserman’s Girls on Fire. Includes an introduction by Jenny Davidson and contextual essays by Laura Hernández-Ehrisma and Char Miller.
Charros
In the American imagination, no figure is more central to national identity and the nation’s origin story than the cowboy. Yet the Americans and Europeans who settled the U.S. West learned virtually everything they knew about ranching from the indigenous and Mexican horsemen who already inhabited the region. The charro—a skilled, elite, and landowning horseman—was an especially powerful symbol of Mexican masculinity and nationalism. After the 1930s, Mexican Americans in cities across the U.S. West embraced the figure as a way to challenge their segregation, exploitation, and marginalization from core narratives of American identity. In this definitive history, Laura R. Barraclough shows how Mexican Americans have used the charro in the service of civil rights, cultural citizenship, and place-making. Focusing on a range of U.S. cities, Charros traces the evolution of the “original cowboy” through mixed triumphs and hostile backlashes, revealing him to be a crucial agent in the production of U.S., Mexican, and border cultures, as well as a guiding force for Mexican American identity and social movements.
The Rise of Liberal Religion
Winner of the Frank S. and Elizabeth D. Brewer Best First Book Prize of the American Society of Church History Society for U. S. Intellectual History Notable Title in American Intellectual History The story of liberal religion in the twentieth century, Matthew S. Hedstrom contends, is a story of cultural ascendency. This may come as a surprise-most scholarship in American religious history, after all, equates the numerical decline of the Protestant mainline with the failure of religious liberalism. Yet a look beyond the pews, into the wider culture, reveals a more complex and fascinating story, one Hedstrom tells in The Rise of Liberal Religion. Hedstrom attends especially to the critically ...
Up in Arms: Gun Imaginaries in Texas
Up in Arms provides an illustrative and timely window onto the ways in which guns shape people’s lives and social relations in Texas. With a long history of myth, lore, and imaginaries attached to gun carrying, the Lone Star State exemplifies how various groups of people at different historical moments make sense of gun culture in light of legislation, political agendas, and community building. Beyond gun rights, restrictions, or the actual functions of firearms, the book demonstrates how the gun question itself becomes loaded with symbolic firepower, making or breaking assumptions about identities, behavior, and belief systems. Contributors include: Benita Heiskanen, Albion M. Butters, Pekka M. Kolehmainen, Laura Hernández-Ehrisman, Lotta Kähkönen, Mila Seppälä, and Juha A. Vuori.
Queer Carnival
"As LGBTQ people gain more legal rights, it's important to think of more complex ways of being included in society. From the Mardi Gras celebrations in the Deep South to the Mummers Parade in Philadelphia to the Portland Rose Festival, communities across the United States gather together to celebrate, participate in parades, encourage tourism, cultivate local traditions, and craft a sense of place. I am interested in large public festivals like Fiesta San Antonio that are intended to include everyone in the city, because these festivals are supposed to be a time when the city comes together as one to appreciate the diverse contributions of people within the city. During festivals, whose culture gets included and valued, which events are allowed, and how different communities are represented, become socially significant and fraught questions. Festival participation can be a rich site for LGBTQ participants to be valued for their cultural differences and find a sense of belonging in the city"--
