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Pursuing Happiness: Reading American Romance as Political Fiction
The dominance of popular romance in the United States fiction market suggests that its trends and themes may reflect the politics of a significant proportion of the population. Pursuing Happiness explores some of the choices, beliefs and assumptions which shape the politics of American Romance novels. In particular, it focuses on what romances reveal about American attitudes towards work, the West, race, gender, community cohesion, ancestral “roots” and a historical connection (or lack of it) to the land.
Faith, Love, Hope and Popular Romance Fiction
Faith, Love, Hope and Popular Romance Fiction explores romance novels from a theological perspective and suggests a new definition of the romance novel to complement other definitions which focus on structural elements: "modern popular romances are novels whose authors have assumed pastoral roles, offering hope to their readers through works which propagate faith in the goodness and durability of love." Part one outlines how romance authors offer hope and pastoral care to their readers through works which propagate faith in the goodness and durability of love. Part two explores aspects of faith, hope, love and pastoral care in more detail: words and power; the different "faith" traditions in the precursors to the modern romance; what it means to hope for a "prince" as saviour; damnation as the absence of love, and metaphorical devils and hells; false or damaging forms of love and how to discern them.
For Love and Money: the Literary Art of the Harlequin Mills and Boon Romance
Laura Vivanco's study challenges the idea that Harlequin Mills & Boon romances are merely mass-produced commodities, churned out in accordance with a strict and unchanging formula. She argues that many are well-written, skilfully crafted works, and that some are small masterpieces. For Love and Money demonstrates the variety that exists beneath the covers of Harlequin Mills & Boon romances. They range from paranormal romances to novels resembling chick lit, and many have addressed serious issues, including the plight of post-Second World War refugees, threats to marine mammals, and HIV/AIDS. The genre draws inspiration from Shakespearean comedies and Austen's novels, as well as from other fo...
Love, Language, Place, and Identity in Popular Culture
Love, Language, Place, and Identity in Popular Culture: Romancing the Other explores the varied representations of Otherness in romance novels and other fiction with strong romantic plots. Contributors’ approaches range from sociolinguistics to cultural studies, and the texts analyzed are set on four continents, with particular emphasis on Caribbean and Atlantic islands. What all the essays have in common is the exploration of representations of the Other, be it in an inter-racial or inter-cultural relationship. Chapters are divided into two parts; the first examines place, travel, history, and language in 20th-century texts; while the second explores tensions and transformations in the de...
Death in Fifteenth Century Castile
Differences in attitudes to death and dying in two distinct social classes, the ecclesiastics and the nobility. The theory of the three estates made clear distinctions between the functions of the two estates which comprised the elite of medieval society: the oradores (ecclesiastics) and the defensores (warriors or nobility).They had different lifestyles, clothing and ways of thinking about life. With regard to death, the responses dictated by Christian theology conflicted with the demands of the defensor ideology, based on the defence of individual honour, the pursuit of fama and the display of earthly power. This book charts the progress of the dying from their preparations for death, thro...
Publishing Romance
Romance novels have attracted considerable attention since their mass market debut in 1939, yet seldom has the industry itself been analyzed. Founded in 1949, Harlequin quickly gained market domination with their contemporary romances. Other publishers countered with historical romances, leading to the rise of “bodice-ripper” romances in the 1970s. The liberation of the romance novel’s content during the 1980s brought a vitality to the market that was dubbed a revolution, but the real romance revolution began in the 1990s with developments in the mainstream publishing industry and continues today. This book traces the history and evolution of the romance industry, covering successful (and not so successful) trends and describing changes in romance publishing that paved the way for the many popular subgenres flooding the market in the 21st century.
Conflict and Colonialism in 21st Century Romantic Historical Fiction
This book explores how postmillennial Anglophone women writers use romantic narrativisations of history to explore, revise, repurpose and challenge the past in their novels, exposing the extent to which past societies were damaging to women by instead imagining alternative histories. The novelists discussed employ the generic conventions of romance to narrate their understanding of historical and contemporary injustice and to reflect upon women’s achievements and the price they paid for autonomy and a life of public purpose. The volume seeks, firstly, to discuss the work of revision or reparation being performed by romantic historical fiction and, secondly, to analyse how the past is being repurposed for use in the present. It contends that the discourses and genre of romance work to provide a reparative reading of the past, but there are limitations and entrenched problems in such readings.
American Quaker Romances
Quaker characters have peopled many an American literary work—most notably, "Uncle Tom’s Cabin"—as Quakerism has been historically associated with progressive attitudes and the advancement of social justice. With the rise in recent years of the Christian romance market, dominated by American Evangelical companies, there has been a renewed interest in fictional Quakers. In the historical Quaker romances analyzed in this book, Quaker heroines often devote time to spiritual considerations, advocate the sanctity of marriage and promote traditional family values. However, their concern with social justice also leads them to engage in subversive behavior and to question the status quo, as il...
Georgette Heyer, History and Historical Fiction
The Nonesuch is the name of one of Georgette Heyer’s most famous novels. It means a person or thing without equal, and Georgette Heyer is certainly that. Her historical works inspire a fiercely loyal, international readership and are championed by literary figures such as A. S. Byatt and Stephen Fry. Georgette Heyer, History, and Historical Fiction brings together an eclectic range of chapters from scholars all over the world to explore the contexts of Heyer’s career. Divided into four parts – gender; genre; sources; and circulation and reception – the volume draws on scholarship on Heyer and her contemporaries to show how her work sits in a chain of influence, and why it remains per...
The Nonesuch
If you love Bridgerton, you'll love Georgette Heyer ! 'The greatest writer who ever lived' Antonia Fraser 'A rollicking good read that will be of particular joy to Bridgerton viewers' Independent 'My generation's Julia Quinn' Adjoa Andoh, star of Bridgerton _____________ Handsome, wealthy Sir Waldo Hawkridge is the envy of all those around him. So when the people of Oversett get word of his impending visit, excitement ripples. But his planned visit ruffles a few feathers, too; not least for Miss Ancilla Trent, who worries about the relationship that may unfold between Waldo and her hot-headed young pupil, Tiffany. And when Waldo eventually arrives in the village, his presence leads to the mo...
