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Peterson's Magazine
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Poets Should NOT Write About Politics
The Sinclair Poetry Prize for 2020 Jerry Johnson’s new book, Poets Should Not Write about Politics, immediately undermines its title in seemingly innocent poems about daisies, bison, and kittens that hit hard in their love for America and their rage against her injustices. Musicality and rhythm reinforce this message in these poems, as in the poem “Trains” where they ground a voice that aches for a different world, even as it honors the beauties of this one: “…we find night has taken the helm/the crescendo climbs, the stars overcome the darkness/i overcome the darkness, my grief, the darkness of my soul/ and my train moves on and on and my train moves on and on.” This is a collec...
Annual Report of the Adjutant-General
Vols. for 1895- include "Official register of the land and naval forces of the state of New York, 1895-.
Poetry and Politics in the English Renaissance
This title establishes the radical currents of thought shaping Renaissance poetry: civic humanism and apocalyptic Protestantism. The author shows how Elizabethan poets like Sidney and Spenser, often seen as conservative monarchists, responded powerfully if sometimes ambivalently to radical ideas.
The Journal of Legal Pluralism and Unofficial Law 65/2012
This volume includes the following contributions: All Law Is Plural: Legal Pluralism and the Distinctiveness of Law * Plural Legal Orders of Land Use * Could Singapore's Legal Pluralism Work in Australia? * Substantive Equality and Maternal Mortality in Nigeria * An Institutional Perspective on Courts of Law in Colonial and Postcolonial Settings * Comparative Law at the Intersection of Religious and Secular Orders (Series: The Journal of Legal Pluralism and Unofficial Law - Vol. 65)
2003 Lectures
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Reframing Punishment: Reflections of Culture, Literature and Morals
This interdisciplinary volume offers an attempt to question, perplex and ultimately reframe our collective understanding of punishment.
Shadow Notes
Clara Montague didn't want to go home to Connecticut for Christmas. Her mother Constance never seemed to like her-or her intuitive dreams about the people she loved. Clara tried to warn her mother that her father was about to have a heart attack, but Constance wouldn't listen-and her father died. Now living in Europe, Clara dreams her mother is in terrible danger, and can't ignore it. Shortly after she returns, her mother's therapist (and former lover) Hugh Woodward is murdered-and Constance is jailed for the crime. Since Constance won't talk to her about the case, Clara decides to investigate by cozying up to her mother's former best friend, wealthy socialite Mary Ellen Winters. Mary Ellen insinuates that Constance has many sordid secrets to hide-and Hugh is just the tip of the iceberg.
