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This collection of black-and-white images conveys the story of human impact on Mississippi's forests from the pioneer era to the present. Photographs gleaned from public and private archives tell a visual tale of the development of Mississippi's forest industries. Historic locomotives course through the woods, oxen drag big timber over rutted terrain, and lookouts perch atop Forest Service towers eyeing the horizon for telltale signs of fire. Photos of life in a portable logging camp reveal early hospitals, lumber company stores, mobile homes, and the advancing technology of logging machinery. The hatchet and torch give way to the cross-cut saw, the steam-driven loaders, the gas chain saws, ...
Art The Lauren Rogers Museum of Art opened in 1923 as the first art museum in Mississippi. Its rich treasury of works by acclaimed masters focuses on European art, American art, Japanese prints, Native American baskets, and English Georgian silver. This handbook showcases each of these magnificent collections. Comprising eighteenth- and nineteenth-century paintings from the French salon, the Barbizon School, and French realism, the European collection in-cludes canvases by Eugéne Boudin, Jean Fran?ois Millet, Jean-Baptiste Camille Corot, Rosa Bonheur, and others. The American collection of paintings, sculpture, and works on paper is the keystone of the museum's permanent holdings. It includ...
The food industry needs to systematize the subjective discipline of sensory analysis for effective new product development, market research, and quality assurance. This book, authored by a panel of industrial experts from one of the world's leading centers of expertise on the subject, follows a logical sequence of questions that might be asked before undertaking sensory analysis. With a spiral, lay-flat binding, full descriptions of concepts, tests, and case studies, this book will be of value to those in the food and drink industry concerned with monitoring and controlling product quality, product development, market research and marketing.
In Art in Mississippi Patti Carr Black focuses on several hundred significant artists and showcases in full color the work of more than two hundred. Nationally acclaimed native Mississippians are hereGeorge Ohr, Walter Anderson, Marie Hull, Theora Hamblett, William Dunlap, Sam Gilliam, William Hollingsworth, Jr., Karl Wolfe, Mildred Nungester Wolfe, John McCrady, Ed McGowin, James Seawright, and many others. Prominent artists who lived or worked in the state for a significant period of time are included as well - John James Audubon, Louis Comfort Tiffany, George Caleb Bingham, William Aiken Walker, and more. Black explores how art reflects the land and how modes of living and values dictated by Mississippi's changing topography created a variety of art forms. She demonstrates the influence of Mississippi's diverse cultures upon the art and shows how it has responded in many forms - painting, architecture, sculpture, fine crafts - to the changing aesthetics of national art movements.
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Representations of Indian economic life have played an integral role in discourses about poverty, social policy, and cultural difference but have received surprisingly little attention. Daniel Usner dismantles ideological characterizations of Indian livelihood to reveal the intricacy of economic adaptations in American Indian history. Officials, reformers, anthropologists, and artists produced images that exacerbated Indians’ economic uncertainty and vulnerability. From Jeffersonian agrarianism to Jazz Age primitivism, European American ideologies not only obscured Indian struggles for survival but also operated as obstacles to their success. Diversification and itinerancy became economic ...
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