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Balancing the Books represents a sophisticated examination of the ongoing engagement of American literature with the economies of slavery through the works of William Faulkner and Toni Morrison. Both Faulkner and Morrison write about the relationship between race, identity, and history, and about how the legacies of slavery linger in the lives and actions of their characters, although the narrative strategies through which they render these themes ultimately diverge. Dussere brings considerations of debt and repayment, exchange and accounting, and capital and the market-concepts inseparable from any consideration of race in the construction of the American nation-into dialogue with the work of Faulkner and Morrison to produce an outstanding work of literary and cultural criticism.
The numerous studies of Maxine Hong Kingston's touchstone work The Woman Warrior fail to take into account the stories in China Men, which were largely written together with those in The Woman Warrior but later published separately. Although Hong Kingston's decision to separate the male and female narratives enabled readers to see the strength of the resulting feminist point of view in The Woman Warrior, the author has steadily maintained that to understand the book fully it was necessary to read its male companion text. Maureen Sabine's ambitious study of The Woman Warrior and China Men aims to bring these divided texts back together with a close reading that looks for the textual traces of the father in The Woman Warrior and shows how the daughter narrator tracks down his history in China Men. She considers theories of intertextuality that open up the possibility of a dynamic interplay between the two books and suggests that the Hong family women and men may be struggling for dialogue with each other even when they appear textually silent or apart.
Kaj Grønbæk and Randall H. Trigg present a set of principles for the design of open hypermedia systems and provide concrete implications of these principles for issues ranging from data structures to architectures and system integration, and for settings as diverse as the World Wide Web and the workplace. In this book Kaj Grønbæk and Randall H. Trigg present a set of principles for the design of open hypermedia systems and provide concrete implications of these principles for issues ranging from data structures to architectures and system integration, and for settings as diverse as the World Wide Web and the workplace.The principles, which cover both hypermedia system processing and data...
This volume traces the formation of the Asian American literary canon and the field of Asian American Studies from 1965-1996. It is intended for an academic audience, ranging from advanced undergraduate students to scholars from a variety of disciplines, interested in the formation of Asian American literary studies from 1965-1996.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
A study of the emerging cultural model of "cosmodernism"
View the Table of Contents Read the Introduction.This excellent volume conceives of Baldwin as a figure crucial to discussions of whiteness, sexuality, and globalization. The times are ripe for the valuable reconsideration of Baldwin that James Baldwin Now provides.--Jennifer DeVere Brody,George Washington UniversityOne of the most prolific and influential African American writers, James Baldwin was for many a harbinger of hope, a man who traversed the genres of art-writing novels, essays, and poetry.James Baldwin Now takes advantage of the latest interdisciplinary work to understand the complexity of Baldwin's vision and contributions without needing to name him as exclusively gay, expatria...
Dedicated to documenting the life of America's best-known advocate for peace and justice, The Papers of Martin Luther King, Jr. breaks the chronology of its series to present King's never-before-published sermon file. In 1997 Mrs. Coretta Scott King granted the King Papers Project permission to examine papers kept in boxes in the basement of the Kings' home. The most significant finding was a battered cardboard box that held more than two hundred folders containing documents King used to prepare his celebrated sermons. This private collection that King kept in his study sheds considerable light on the theology and preaching preparation of one of the most noted orators of the modern era. Thes...
Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude the Obscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.
This book examines a sequence of crises in nineteenth-century print culture and offers an original narrative of what it meant to be a Victorian novelist. Easily dismissed at the beginning of the century as hacks who pandered to the ignorant or indolent, novelists by the end of Victoria's reign could be esteemed among the greatest of artists. Between these extremes stretches a century of ideological contention between alternative representations of authorship. Deane brings new attention in his account to the trends in publishing and the expanding market surrounding Victorian literature, such as the new modes of production, arguments over copyright legislation, and revisions of the criteria of periodical criticism. Combining literary sociology and close readings, The Making of the Victorian Novelist offers an innovative history of the material pressures and rhetorical struggles that produced - and ultimately shattered - the Victorians' understanding of their great novelists.