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Poetry. African & African American Studies. Women's Studies. LGBTQIA Studies. In 2013, poet Lauren Russell acquired a copy of the diary of her great-great-grandfather, Robert Wallace Hubert, a Captain in the Confederate Army. After his return from the Civil War, he fathered twenty children by three of his former slaves. One of those children was the poet's great-grandmother. Through several years of research, Russell would seek the words to fill the diary's omissions and to imagine the voice of her great-great-grandmother, Peggy Hubert, a black woman silenced by history. The result is a hybrid work of verse, prose, images and documents that traverses centuries as the past bleeds into the pre...
Poetry. Women's Studies. WHAT'S HANGING ON THE HUSH wrestles with concerns that range from race, gender and sexuality to loneliness, madness and grief, and nothing escapes questioning, least of all the position of the poet herself. With humor and slightly off-kilter introspection, these poems disrupt even their own speaking, frequently singing "I." Collectively, they demonstrate the underlying restlessness of a subjectivity never quite at ease, like the solitary cats who meander across these pages and disappear only to turn up where they are least expected. Operating in a range of modes, from tight lyrics to sprawling, fragmented texts to language experiments, WHAT'S HANGING ON THE HUSH is a tightly constructed interrogation of construction itself. At its heart is an exploration of solitude and a feminist's existential reckoning--the struggle of being/making in the world.
Lauren Russell often wondered why her father had been so adamant about teaching her skills that most other fathers wouldn't even consider teaching their daughters. Ever since she was little, she had been taught how to live and survive outdoors, and how to use firearms to protect herself and those around her. Some of the training had been a bit extreme. Or had it been? Many of her questions were answered the day the world as she knew it ended. Now, the skills she had been taught serve an essential purpose. They keep her and those she cares about alive. Even in the sparsely-populated mountains of West Virginia, where she and her family have been forced to relocate for their safety after the collapse, peril lurks around every corner. Normal life has taken on a whole new meaning for Lauren, her family, and the community they have become a part of. In this different world, the new status quo is self-preservation. There is no more middle ground. People either live, or they die. Lauren's father didn't make it home on the day the world changed forever, and she misses him more than anything. Now, in What's Left of My World, she and her family must learn to endure life's horrors-without him.
Poetry. "Lauren Russell casts a sharp eye on the urban landscape around her, carving profiles and cutting out silhouettes from real experience. The strongest influences on her are the people she deals with directly lovers, roommates, oglers from the subway, fellow patients, pets. 'The lover, as artifact, is constant as long as the jewelry remains broken, ' she writes, dismantling her attachments to fluster assertions of overarching facts. Russell favors a singing absence, where each detail is a transitional truth, and each word a temporary home. 'It may be known that she allowed a dismantling.'" Edmund Berrigan "Lauren Russell's poems remind us what authenticity might mean and be. They are full of 'the possibilities of grief" and "insubordinate frizzle.' Simultaneously raw and crafted, these poems bubble and boil with life." Joanna Fuhrman"
The Path of the Holy Fool: How the Labyrinth Ignites Our Visionary PowersThe Path of the Holy Fool summons each of us to become a Holy Fool: one who is accountable, stands for equality and social justice, embraces an ecological vision, and encourages community spirit. Lauren Artress, who established the two permanent labyrinths at Grace Cathedral, San Francisco, is a leading force in the Labyrinth Movement. Her new book The Path of the Holy Fool: How the Labyrinth Ignites Our Visionary Powers expands upon her earlier work in Walking a Sacred Path: Rediscovering the Labyrinth as a Spiritual Practice. Through the Parsifal story Artress suggests the labyrinth serves as a Grail that is discovere...
SHORTLISTED FOR THE BOLLINGER EVERYMAN WODEHOUSE PRIZE A wry, provocative and very funny debut novel about identity, authenticity and the self in the age of the internet ‘I loved it’ Zadie Smith ‘Brilliant, very funny’ Guardian ‘Prepare to feel very seen’ I-D
In this delightfully witty and uplifting book, thirty-something Lauren Windle shines a light on the trials and tribulations - and sometimes also the triumphs - of the world of Christian dating. This is not a how-to guide. Like having a coffee with your mates while you pore over your profile matches, heartbreaks and hilarious mishaps, Notes on Love draws on Lauren's own experiences of being single and dating in the Church to offer a funny, insightful and open-hearted collection of musings on the absurdity, messiness, pain and joy of it all. With notes on 'How to first date' and 'A million ways to meet people' to 'Disappointment' and 'Schrodinger's boyfriend', as well as looking at how you can...
*Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay* Selected as a Book of the Year 2016 by the Financial Times, Guardian, New Statesman, Observer, The Millions and Emerald Street 'Flâneuse [flanne-euhze], noun, from the French. Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities. That is an imaginary definition.' If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse? In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibi...
More than half a century after the first Jim Crow laws were dismantled, the majority of urban neighborhoods in the United States remain segregated by race. The degree of social and economic advantage or disadvantage that each community experiences—particularly its crime rate—is most often a reflection of which group is in the majority. As Ruth Peterson and Lauren Krivo note in Divergent Social Worlds, "Race, place, and crime are still inextricably linked in the minds of the public." This book broadens the scope of single-city, black/white studies by using national data to compare local crime patterns in five racially distinct types of neighborhoods. Peterson and Krivo meticulously demons...
Philip Trager has received international critical acclaim for his photographs of architecture and dance. This photography book is a collection of the images found in the Gardens of Russell & Lauren Fuchs.