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"This exhibition catalog accompanies a retrospective exhibition of prolific San Francisco-born painter Joan Brown (1938-1990), the first significant survey of her work in more than twenty years. Joan Brown charts the turns and devotions of a vision that was once dismissed by critics as unserious but was in fact rooted firmly in research and impassioned curiosity that remains uniquely compelling today. Deeply embedded in the Bay Area art scene, Brown drew inspiration from many sources to create a charmingly offbeat body of work that merges autobiography, fantasy, and whimsy with weightier metaphysical and spiritual imagery and themes. Featuring texts by curators Janet Bishop and Nancy Lim as ...
New York Dadaist, Parisien surrealist, international portraitist & fashion photographer, this work considers how the career of Man Ray was shaped by his turn-of-the-century Jewish immigrant experience & his lifelong evasion of his past.
A beautifully produced introduction to Akashi's multimedia meditations on precarity and history The first scholarly monograph on Los Angeles-based Kelly Akashi (born 1983), Formations encompasses Akashi's wide-ranging multimedia practice over the past decade. Much like the artist's own work, the catalog cultivates relationships between objects and materials to investigate how they can actively convey their histories and potential for change. Featuring a faux-leather hardcover binding with a gold foil titling and paper changes throughout, the publication follows the artist from graduate school to more recent research into the inherited impact of Japanese Americans' incarceration during World War II. Akashi's works in glass, cast bronze, multipart installations and photographic contact prints are given further context through scholarly essays. Along with extensive plates and installation photography, the book includes a new photography project by Akashi, a record of her scavenging for history in the site of her family's imprisonment in a WWII Japanese American incarceration camp.
Scottish zoologist D'Arcy Wentworth Thompson's visionary ideas in On Growth and Form continue to evolve a century after its publication, aligning it with current developments in art and science. Practitioners, theorists, and historians from art, science, and design reflect on his ongoing influence. Overall, the anthology links evolutionary theory to form generation in both scientific and cultural domains. It offers a close look at the ways cells, organisms, and rules become generative in fields often otherwise disconnected. United by Thompson's original exploration of how physical forces propel and shape living and nonliving forms, essays range from art, art history, and neuroscience to arch...
Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher.
When Todd, a developmentally challenged young man still living on his parents' Kansas farm, hears that a local animal shelter is seeking temporary homes for its dogs during the holiday week, he knows exactly what he wants for Christmas. Animals are Todd's first love, and his persistence quickly overwhelms his father's objections to befriending a canine, a reluctance that proves to have a painful origin. The family takes in a very special animal, and the shelter's Christmas adoption programme soon grows larger than anyone had hoped. By the story's end, Todd, with the help of a dog named Christmas, has taught an entire community the transformative power of goodwill and shared love - a lesson for all seasons.
This beautifully illustrated book showcases 110 objects from the Dallas Museum of Art's world-renowned African collection. In contrast to Western "art for art's sake," tradition-based African art served as an agent of religion, social stability, or social control. Chosen both for their visual appeal and their compelling histories and cultural significance, the works of art are presented under the themes of leadership and status; the cycle of life; decorative arts; and influences (imported and exported). Also included are many fascinating photographs that show the context in which these objects were originally used. Distributed for the Dallas Museum of Art
Rarely has an artist been so closely associated with a single work as is Jay DeFeo with her painting "The Rose". In this major study of "The Rose" in particular and of Jay DeFeo in general, 11 art and cultural historians and writers unfold the story of the creation and rescue of her masterpiece.
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