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Art of the Defeat
"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.
Art of the Defeat
"Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.
Hartung
Until now , there has been no monograph on Hans Hartung, the German born French painter (1904 -1989) available in French or English. Now, to celebrate the centenary of his birth, a monogram of this artist will be published to mark the occasion. Hartung's reputation was established when he was awarded the International Grand Prix for his paintings at the 1960 Venice Biennale. He had rejected the early influence of German expressionism and developed an entirely abstract style in which a strong linear element created a rhythmic unity. To survey his huge work, the book Hartung offers ten perspectives of leading art historians, curators and international artists. Each one accurately presents a new point of view that contributes to the understanding of Hartung's work from both an inside and historical angle. Abundantly documented with hundreds of Hartung's creations, knowledgeable and handy, this book introduces the countless challenges involved in this work, essential for the comprehension of the history of modern art.
French Primitivism and the Ends of Empire, 1945-1975
For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.
Picasso's Kitchen
Picasso's Kitchen delves, for the first time, into the relationship between Picasso and cooking. Food and kitchenware are present in many of his still-lifes, such as the tomato plant in the Grands- Augustins studio, the eel stew that his wife Jacqueline used to cook, the main painting he made on Manet's Le dejeuner sur l'herbe... Cuisine is also a recurring topic in his poetry, and many of his sculptures are based on kitchen utensils, such as his famous cubist absinthe glass. This publication addresses food and cuisine in Picasso's work, but also the restaurants that marked his life - such as the famous Le Catalan, near his studio on Grands-Augustins Street, in which Picasso used to eat with his friends during German occupation - as well as the importance of restaurants as meeting points for the avant-garde, from Quatre Gats in Barcelona to Lapin Agile in Montmartre, Paris. The exhibition Picasso's Kitchen will be open to the public from May to September 2018, at the Picasso Museum in Barcelona.
The Artist in the Machine
An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans. Today's computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover...
Chatting with Henri Matisse
In 1941 the Swiss art critic Pierre Courthion interviewed Henri Matisse while the artist was in bed recovering from a serious operation. It was an extensive interview, seen at the time as a vital assessment of Matisse's career and set to be published by Albert Skira's then newly established Swiss press. After months of complicated discussions between Courthion and Matisse, and just weeks before the book was to come out--the artist even had approved the cover design--Matisse suddenly refused its publication. A typescript of the interview now resides in Courthion's papers at the Getty Research Institute. This rich conversation, conducted during the Nazi occupation of France, is published for t...
Basquiat
Der amerikanische Maler und Zeichner Jean-Michel Basquiat (1960–1988) gehört zu den schillernsten Persönlichkeiten der Kunstgeschichte, seine Freundschaft mit Andy Warhol, Keith Haring und Madonna sind legendär. Die retrospektiv angelegte Publikation zeichnet die einzigartige künstlerische Entwicklung und kunsthistorische Bedeutung des bereits mit 27 Jahren auf tragische Weise verstorbenen Künstlerstars nach. Seine Werke sind von eben jener Intensität und Energie geprägt, die auch sein kurzes Leben bestimmte. In nur acht Jahren gelang es Basquiat nicht nur vergleichbar Egon Schiele ein umfassendes Œuvre zu schaffen, sondern auch neben der konzeptuellen Kunst und der Minimal Art neue figurative und expressive Elemente zu etablieren. Als 21-jähriger wurde er zum bislang jüngsten documenta-Teilnehmer und entscheidenden Vorläufer der Jungen Wilden, aber auch der Kunst der 1990er-Jahre. (Deutsche Ausgabe ISBN 978-3-7757-2592-7) Ausstellung: Fondation Beyeler, Riehen/Basel 09.05.–05.09.2010
Mannerism and Anti-mannerism in Italian Painting
Here are presented two essays by one of the pioneers in the modern exploration of 16th century Italian art. The first, on the Kunstwissenschaft, v.XLVII; the second, on the style translated and published in a 1957 edition, of which this is a reprint (with inclusion of a 1964 foreword).
The Man Who Thought He Was Napoleon
By investigating nineteenth-century medical cases and doctors' observations, this book attempts to understand how political events such as revolutions and the rise of new systems of government affect mental health and/or can be represented as delirious in psychiatric and literary discourses. Rather than denouncing wrongful confinements, this book analyzes what is at stake in the intertwined discourses of madness, psychiatry, and political theory.
