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Catalogue of the Library and a Brief List of the Engravings and Etchings Belonging to Theodore Irwin, Oswego, N.Y.
  • Language: en
  • Pages: 550
Catalogue of the Private Library of Mr. George S. Davis
  • Language: en
  • Pages: 408

Catalogue of the Private Library of Mr. George S. Davis

  • Type: Book
  • -
  • Published: 1890
  • -
  • Publisher: Unknown

None

Documents of the Senate of the State of New York
  • Language: en
  • Pages: 1408

Documents of the Senate of the State of New York

  • Type: Book
  • -
  • Published: 1875
  • -
  • Publisher: Unknown

None

Annual Report of the Trustees of the State Library
  • Language: en
  • Pages: 222

Annual Report of the Trustees of the State Library

Reprint of the original, first published in 1875.

The Publishers' Circular and General Record of British Literature
  • Language: en
  • Pages: 780

The Publishers' Circular and General Record of British Literature

  • Type: Book
  • -
  • Published: 1860
  • -
  • Publisher: Unknown

None

The World of William Byrd
  • Language: en
  • Pages: 392

The World of William Byrd

  • Type: Book
  • -
  • Published: 2016-02-17
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  • Publisher: Routledge

In The World of William Byrd John Harley builds on his previous work, William Byrd: Gentleman of the Chapel Royal (Ashgate, 1997), in order to place the composer more clearly in his social context. He provides new information about Byrd's youthful musical training, and reveals how in his adult life his music emerged from a series of overlapping family, business and social networks. These networks and Byrd's navigation within and between them are examined, as are the lives of a number of the individuals comprising them.

Catalogue of the Library of the Supreme Court of Victoria
  • Language: en
  • Pages: 398

Catalogue of the Library of the Supreme Court of Victoria

  • Type: Book
  • -
  • Published: 1875
  • -
  • Publisher: Unknown

None

The True Image
  • Language: en
  • Pages: 496

The True Image

A thousand unique gravestones cluster around old Presbyterian churches in the piedmont of the two Carolinas and in central Pennsylvania. Most are the vulnerable legacy of three generations of the Bigham family, Scotch Irish stonecutters whose workshop near Charlotte created the earliest surviving art of British settlers in the region. In The True Image, Daniel Patterson documents the craftsmanship of this group and the current appearance of the stones. In two hundred of his photographs, he records these stones for future generations and compares their iconography and inscriptions with those of other early monuments in the United States, Northern Ireland, and Scotland. Combining his reading o...