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Critically Modern
"Critically Modern makes a critical intervention in one of the great debates of the moment. It offers a variety of rich and fascinating empirical analyses of 'modern' phenomena from diverse societies, and contributes a powerful (and largely missing) voice to the growing literature on globalization and modernity outside anthropology." —Charles Piot "In these essays theory and ethnography are presented in ways that make them mutually enriching. The volume should appeal to scholars across the entire range of disciplines that deal with modernity and/or globalization." —Edward LiPuma Are there multiple ways of being "modern" in the world today? How do people in various parts of the world beco...
On Our Way
A profound look at how death and dying is understood, negotiated, and experienced by different cultures.
Women as Unseen Characters
Rituals have always been a focus of ethnographies of Melanesia, providing a ground for important theorizing in anthropology. This is especially true of the male initiation rituals that until recently were held in Papua New Guinea. For the most part, these rituals have been understood as all-male institutions, intended to maintain and legitimate male domination. Women's exclusion from the forest space where men conducted most such rites has been taken as a sign of their exclusion from the entire ritual process. Women as Unseen Characters is the first book to examine the role of females in Papua New Guinea male rituals, and the first systematic treatment of this issue for any part of the world...
Taming Cannibals
In Taming Cannibals, Patrick Brantlinger unravels contradictions embedded in the racist and imperialist ideology of the British Empire. For many Victorians, the idea of taming cannibals or civilizing savages was oxymoronic: civilization was a goal that the nonwhite peoples of the world could not attain or, at best, could only approximate, yet the "civilizing mission" was viewed as the ultimate justification for imperialism. Similarly, the supposedly unshakeable certainty of Anglo-Saxon racial superiority was routinely undercut by widespread fears about racial degeneration through contact with "lesser" races or concerns that Anglo-Saxons might be superseded by something superior—an even "fi...
Deep History
This breakthrough book brings science into history to offer a dazzling new vision of humanity across time. Team-written by leading experts in a variety of fields, it maps events, cultures, and eras across millions of years to present a new scale for understanding the human body, energy and ecosystems, language, food, kinship, migration, and more.
Diasporic Identities and Empire
Diasporic Identities and Empire: Cultural Contentions and Literary Landscapes explores traditional theories on hybridity, generated in consideration of multicultural infusions, and at times profusions, of colonial migrations. Arguments on defining Englishness and the insinuations of a ‘fixed centre’ for the marginalised are now considered on a global scale as postmodernity defies imperial homogeneity. Although postcolonial studies have largely been Anglocentric and Western in focus, developments elsewhere have opened up theoretical applications on cultural shifters such as that of the diaspora. The Arabian world, the Caribbean, North and Latin America, Australia, and more recently, count...
Crush Your Own Nightmare!
This book contains an explanation of PTSD and C-PTSD, nightmares, sleep disorders, frightening images, and detailed results of the intervention herein contained (using living human beings). Included in the book is a complete intervention that has been proven to be successful in the treatment of twenty-one different patients in the total eradication of insomnia, nightmares, and, in one case, the complete disappearance of two frightening, daytime images.
Living with the Locals
Living with the Locals comprises the stories of 13 white people who were taken in by Indigenous communities of the Torres Strait islands and eastern Australia between the 1790s and the 1870s, for periods from a few months to over 30 years. The shipwreck survivors, convicts and ex-convicts survived only through the Indigenous people's generosity. They assimilated to varying degrees into an Indigenous way of life and, for the most part, both parties mourned the white people's return to European life. The authors bring fresh insight to the stories and re-evaluate the encounters between Indigenous people and the white people who became part of their families.
To Feast on Us as Their Prey
Winner, 2020 Association for the Study of Food and Society Book Award, Edited Volume Long before the founding of the Jamestown, Virginia, colony and its Starving Time of 1609–1610—one of the most famous cannibalism narratives in North American colonial history—cannibalism played an important role in shaping the human relationship to food, hunger, and moral outrage. Why did colonial invaders go out of their way to accuse women of cannibalism? What challenges did Spaniards face in trying to explain Eucharist rites to Native peoples? What roles did preconceived notions about non-Europeans play in inflating accounts of cannibalism in Christopher Columbus’s reports as they moved through Italian merchant circles? Asking questions such as these and exploring what it meant to accuse someone of eating people as well as how cannibalism rumors facilitated slavery and the rise of empires, To Feast on Us as Their Prey posits that it is impossible to separate histories of cannibalism from the role food and hunger have played in the colonization efforts that shaped our modern world.
An Introduction to Art
At once engaging, personal, and analytical, this book provides the intellectual resources for the critical understanding of art Charles Harrison’s landmark book offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.
