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This volume approaches the problem of the canonical “center” by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions in which the evidence has or has not been embedded). An introduction by the editors places the essays within historiographic and pedagogical frameworks. Contributors: J. Caskey, K. Kogman-Appel, C. Maranci, J. Purtle, C. Robinson, N. Wicker and E.S.Wolper.
Young (political science, U. of Western Ontario) follows his analysis of the Quebec situation in The Secession of Quebec and the Future of Canada, written in mid-1994, with an update of developments since then. He describes the prelude to the 1995 referendum campaign on Quebec secession, and analyzes the arguments deployed by federalists and sovereignists, seeking to explain why the Yes forces gained ground in 1995 and almost won. He then assesses the fallout of the referendum and describes how the sovereignists and federalists are maneuvering around the prospect of another referendum. He provides predictions on what would happen after a Yes vote. Annotation copyrighted by Book News, Inc., Portland, OR
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Contains separate alphabetical listings of men and women.
This book presents papers by eleven European scholars that explore the ambivalent representations of an American West that follows “no single trajectory, creating instead a series of lines and rhythms, always moving, crossing, and folding” (Neil Campbell). The papers explore the use of the American West as an ideal or a realistic setting in different cultural productions, ranging from music (“Sing-along Melodies of the West”) to film (“Western Images in Motion”) or comics (“Graphic Representations of the American West”), and including popular cultural fields like podcasts, fashion, and gastronomy (“Performing the West”).
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The story of outlaw biker Edward Winterhalder and what happened when the Quebec-based Rock Machine gang became a chapter of the American-based Bandidos.