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Building on the work of Teilhard de Chardin, the New Cosmology integrates scientific facts and theories, including discoveries about the expanding universe and evolution, and proposes that creation is developing into greater complexity. But how are we to understand concepts like “original sin” and “redemption” if creation isn’t complete and humanity is still in process? How does one “retrofit” religious tradition and Scripture into this scenario? Is there room for the historical Jesus in the New Cosmology? While a ready concern for all Christians, this question has unique implications for women religious whose lives are centered on the person and mission of Jesus Christ. How is...
Pompeii, Herculaneum, and Rome have yielded hundreds of wall paintings from domestic buildings. Greek myths and tragedies, especial by Euripides were visually represented. Balch presents an interdisciplinary study inquiring what earliest Jews and Christian in such houses might have been seeing as they read and interpreted scripture and performed core rituals, especially the Eucharist. This recent study of Roman domestic architecture suggests new perspectives on the social history of early Christianity.--Publisher.
McGinley uses the autobiographies of Gay men to explore the overlap between their religious and sexual identities. >
Modern science informs us about the end of the universe: "game over" is the message which lies ahead of our world. Christian theology, on the other hand, sees in the end not the cessation of all life, but rather an invitation to play again, in God's presence. Is there a way to articulate together such vastly different claims? Eschatology is a theological topic which merits being considered from several different angles. This book seeks to do this by gathering contributions from esteemed and fresh voices from the fields of biblical exegesis, history, systematic theology, philosophy, and ethics. How can we make sense, today, of Jesus' (and the New Testament's) eschatological message? How did h...
"Studies aroma in Jewish life and literature in Palestine in the late Roman and early Byzantine periods. Uses the history and material culture of perfume and incense as a lens to view daily activities"--Provided by publisher.
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This masterful study of the early centuries of Christianity vividly brings to life the religious, political, and cultural developments through which the faith that began as a sect within Judaism became finally the religion of the Roman empire. First published in 1970, Grant's classic is enhanced with a new foreward by Margaret M. Mitchell, which assesses its importance and puts the reader in touch with the advances of current research.
The Archaeology of Slavery grapples with both the benefits and complications of a comparative approach to the archaeology of slavery. Contributors from different archaeological subfields, including American, African, prehistoric, and historical, consider how to define slavery, identify it in the archaeological record, and study slavery as a diachronic process that covers enslavement to emancipation and beyond. Themes include how to define slavery, how to identify slavery archaeologically, enslavement and emancipation, and the politics and ethics of slavery-related research.
This stimulating collection of essays by prominent scholars honors Carolyn Osiek. The essays reflect her career and attempt to pay tribute to both the unity and the diversity of her accomplishments. The authors interpret early Christians in their social world and women in early Christianity, with interpretations spanning the New Testament and early church documents. The editors have brought together an international group of scholars. The book includes both a comprehensive bibliography of Osiek's work as well as a brief introduction by the editors reflecting on their experiences with her during her career. Contributors: David Balch Jeremy W. Barrier Terri Bednarz, R.S.M. Laurie Brink, O.P. Warren Carter Adela Yarbro Collins Amy-Jill Levine Margaret Y. MacDonald Jason L. Merritt Halvor Moxnes Barbara Reid, O.P. David Rhoads Donald Senior, C.P. Yancy W. Smith
This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study’s second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..