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2023 Catholic Media Association First Place Award, Faith and Science Building on the work of Teilhard de Chardin, the New Cosmology integrates scientific facts and theories, including discoveries about the expanding universe and evolution, and proposes that creation is developing into greater complexity. But how are we to understand concepts like “original sin” and “redemption” if creation isn’t complete and humanity is still in process? How does one “retrofit” religious tradition and Scripture into this scenario? Is there room for the historical Jesus in the New Cosmology? While a ready concern for all Christians, this question has unique implications for women religious whose...
Pompeii, Herculaneum, and Rome have yielded hundreds of wall paintings from domestic buildings. Greek myths and tragedies, especial by Euripides were visually represented. Balch presents an interdisciplinary study inquiring what earliest Jews and Christian in such houses might have been seeing as they read and interpreted scripture and performed core rituals, especially the Eucharist. This recent study of Roman domestic architecture suggests new perspectives on the social history of early Christianity.--Publisher.
McGinley uses the autobiographies of Gay men to explore the overlap between their religious and sexual identities. >
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The Archaeology of Slavery grapples with both the benefits and complications of a comparative approach to the archaeology of slavery. Contributors from different archaeological subfields, including American, African, prehistoric, and historical, consider how to define slavery, identify it in the archaeological record, and study slavery as a diachronic process that covers enslavement to emancipation and beyond. Themes include how to define slavery, how to identify slavery archaeologically, enslavement and emancipation, and the politics and ethics of slavery-related research.
This general survey of early Christian baptismal iconography and architecture integrates visual depictions and physical settings of baptism with textual evidence for its practice and purpose. An opening overview of pictorial art (paintings, relief sculpture, mosaics, and ivories) prompts questions about components of the actual ritual which are treated in the literary sources. The study’s second half considers selected baptismal structures, examining the symbolism, purpose, and possible meaning of their spatial design and decorative programs. In most instances the synthesis of documentary and material evidence is enriching and complementary. However, even when physical and textual data diverge, their discontinuity demonstrates the variability of ritual performance and the perennial distinction between ideal and actual practice..
From constructing new buildings to describing rival-controlled areas as morally and physically dangerous, leaders in late antiquity fundamentally shaped their physical environment and thus the events that unfolded within it. Controlling Contested Places maps the city of Antioch (Antakya, Turkey) through the topographically sensitive vocabulary of cultural geography, demonstrating the critical role played by physical and rhetorical spatial contests during the tumultuous fourth century. Paying close attention to the manipulation of physical places, Christine Shepardson exposes some of the powerful forces that structured the development of religious orthodoxy and orthopraxy in the late Roman Em...
Fifty years ago, nearly 200,000 religious sisters worked in Catholic schools, hospitals and other institutions throughout the United States. American Catholics honored these women of faith who founded and built these flourishing works of mercy. Then came the ideological shifts and moral upheavals of the 1960s, and ever since, most women's orders in the United States have been in a state of crisis. Now the sisters are aging, with fewer and fewer younger women to take their place. Perhaps related to this demographic shift is the continuing doctrinal confusion that has come under the scrutiny of the Vatican. Using the archival records of the Leadership Conference of Women Religious and other pr...
A "brisk and entertaining" (Wall Street Journal) journey into the mystery behind why the forbidden fruit became an apple, upending an explanation that stood for centuries. How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple. Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.
A benevolent and wise king who puts his subjects before himself--who can find? The majority of rulers throughout history, up to the present age, live for their own comfort and glory. But there was one king who became a servant and died to save all his servants. He was a king like no other. This short book invites you to walk through the last two chapters of Luke's Gospel and encounter the risen Son who will give you the hope and purpose you have been searching for.