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The author of "Cowboys Are My Weakness" and "Waltzing the Cat" turns to nonfiction with essays that celebrate real-life adventures spanning five years and five continents. Through her stories, readers meet some good dogs, a few good men, and the occasional grizzly as Houston proves that fiction has nothing on real life.
Emphasizing the principles of healthfulness, durability, and comfort, a complete guide to creating a 'green' home with recycled, salvaged, and environmentally healthy mateirals offers practical suggestions for remodeling, redecorating, and building from scratch, along with tips on how to find materials, new construction techniques, and more. and m iture. Plus, learn how to discover additional storage nooks around the house. Ideal for anyone looking to reorganize, this book includes ways to contain hobbies, collections, tools, office materials, media, and more; and great ideas for using outbuildings and sheds for additional storage. 'Home Storage' is an essential resource. ovided by the nation's top designers and architects; construction blueprints available for every home; and planning and design advice, and tips throughout. lanning on building a shed or having one installed on a property. A complete guide to the types of sheds available, it offers tips for adding storage systems and other accessories, and building information that is geared to both the novice do-it-you rselfer and ith maps, photographs, illustrations, and at the out
These diverse poems of past and present, of order and disorder, press on with the forceful explorations that Andrew Hudgins began with his first book, SAINTS AND STRANGERS, a runner-up for the Pulitzer Prize in 1985. The wide-ranging poems in this new volume respond with passion to the natural world, to family life, to history, to inheritance: before he flooded the rubble, he swept up the dust of Babylon / to give as presents, and he stored it in a jar.
"Corrigan reveals for the first time how Christians in the United States pursue this [feeling of emptiness] through bodily practices, group identification, ideas of space and time, and reasoned argument." --Dust jacket.
In this study of the school system of an Indiana town, Ellen Brantlinger studies educational expectations within segments of the middle class that have fairly high levels of attainment. Building on her findings, she examines the relationship between class structure and educational success. This book asserts the need to look beyond poor peoples' values and aspirations--and rather to consider the values of dominant groups--to explain class stratification and educational outcomes.
Published in conjunction with a New York Historical Society exhibition, this photo-filled, pocket-sized guidebook by a "New York Times reporter covers 1,079 houses of worship in New York City. 899 photos & 24 maps.
The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture. Vibrant color was essential to the paintings of the American pop artist Roy Lichtenstein (1923–1997), and when he began exploring the creation of outdoor sculpture in the late 1970s, vivid hues remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern. This abundantly illustrated volume is based on extensive archival research of Lichtenstein’s studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes. The book concludes with a chapter showing various options for the care, conservation, and restoration of his sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.
This books presents an artistic and aesthetic perspective on auteur-driven entrepreneurial management that is overlooked in traditional organizational analysis. It suggests that the organization of creative development is less about organizing a course of events and more about giving form to acts that in themselves provide a course of development without being either finalistic or deterministic. Looking at an auteur-driven entrepreneurial enterprise such as the collaborative artistic enterprise of visual artist and theatre director Robert Wilson, reflected in fashion designer Dame Vivienne Westwood’s studio practices, the book demonstrates the significance of aesthetic acts of giving form for collective organisational intuition. Theoretically, the work moreover builds on its original analyses through an exploration of Bergsonian ontology and Daoism methodology. In particular, it introduces the three central concepts of faith, vigour and form as the main elements of an intuitive artistic entrepreneurship: faith being its foundation, vigour its action and form its aesthetic.
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