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Branko Vukelić may not be well known outside his home country, but he certainly should be. That’s because Branko was a spy, part of the famous Soviet secret espionage group based in Tokyo and led by Richard Sorge. They were spying on Japan and Germany in the 1930s and early 1940s. After discovering evidence of Hitler’s plans to launch an attack on the Soviet Union in June 1941, and that the Japanese authorities had decided to direct their attention away from the Soviet borders toward Indochina and the Pacific, Sorge’s group sent word back to Moscow. This news arrived just in time for Stalin to deploy fresh troops from the country’s far eastern border and halt Germany’s rapid advan...
This book is written in the form of a memoir and covers the events in the life of its author, Vilma Vukelić from her earliest childhood (she was born in 1880) to 15 August 1904, the day her first child, Branko was born. It is a contribution to women’s history in the form of a portrait of an intelligent young woman and a burgeoning feminist resisting social norms imposed on women of her generation. It is a contribution to the history of central and southeastern Europe with its spirited descriptions of the bourgeois life in Osijek, a small provincial town by the River Drava close to the Hungarian-Croatian border, at the outskirts of the Austro-Hungarian Empire. It is a contribution to Jewis...
In this novel, written by the esteemed novelist in 1901, a provincial composer and organist from Croatia struggles to find his way along the perilous frontier between the worlds of artistic vocation and humdrum family life. The local kapellmeister—-a Czech, in good Habsburg tradition, and a confidant of Gaj and Palacky, influential politicians of the time—-recognizes young Amadej Zlatanic as a prodigy and persuades the stingy mayor and stubborn parish priest to pack the teenager off to the conservatory in Prague. After several years of sordid student purgatory, Amadej returns to Croatia—-ready for love and ready to make great art.The world of Central Europe in the 1860s flows past, and...
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This volume contains the lectures, many substantially expanded and revised, which were delivered at an international conference held at Ben-Gurion University in Beersheva in 1990. By utilizing the methodological guidelines and insights of reception aesthetics, a range of Jewish readings of Heine's works and his complex literary personality are analyzed. Considerations of his impact on major figures, like Sigmund Freud, Karl Marx, Theodor Herzl, Max Nordau, Karl Kraus, Else Lasker-Schüler, Lion Feuchtwanger, and Max Brod comprise the major part of the book. In addition, there are readings of Heine by minor or neglected Jewish writers and poets, including, for example, Aron Bernstein and Fritz Heymann, and by Jewish writers in Hebrew and Yiddish literature, as well as by Jewish readers within other national readerships, for example, the American and Croatian. In the process of this analysis, the notion of Jewish reception itself is naturally subjected to critical scrutiny.
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