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Imagining the Present
Bringing together twenty-nine of Lawrence Alloway’s most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century. Lawrence Alloway ranks among the most important critics of his time, and his contributions to the spirited and contentious dialogue of his era make for fascinating reading. These twenty-nine provocative essays from 1956 to 1980 from the man who invented the term ‘pop art’ bring art, film, iconography, cybernetics and culture together for analysis and investigation, and do indeed examine the context, content and role of the critic in art and visual culture. Featuring a critical commentary by Richard Kalina, and preface by series editor Saul Ostrow, Imagining the Present will be an enthralling read for all art and visual culture students.
Lawrence Alloway
Lawrence Alloway (1926–1990) was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. He is credited with coining the term pop art and with championing conceptual art and feminist artists in America. His interests as a critic and as a curator at the Solomon R. Guggenheim Museum in New York were wide-ranging, however, and included architecture, design, earthworks, film, neorealism, science fiction, and public sculpture. Early in his career he was associated with the Independent Group in London and although he was largely self-taught, he was a noted educator and lecturer. A prolific writer, Alloway sought to escape the conventions of art-historical...
American Pop Art
"Catalog of the exhibition:" p. viii-xii. Bibliography: p. 133-140. Based on an exhibition organized for and shown at the Whitney Museum of American Art, April 16. 1974, with support from the National Endowment for the Arts.
Art and Pluralism
Through studying Lawrence Alloway's writings, we can trace some of the major shifts in art and cultural values in the 1950s, 1960s and 1970s.
The Art of Whitfield Lovell
A graduate of Cooper Union in New York, Whitfield Lovell has been widely exhibited worldwide. His work is in such museums as the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Museum of American Art, and the Seattle Art Museum. Inspired by his own background, global travels and research, and large collections of found objects and photographs of African Americans, Lovell creates tableaux and full-scale, site-specific installations, melding two-dimensional charcoal drawings with the three-dimensional objects. His works reveal African American spirituality and recall the memories and the heritage that define who African Americans are.
Network
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Pop Art
Readers will enjoy uncovering the secrets, stories, and meaning behind Pop art. The title will also introduce famous Pop art artists such as Andy Warhol and famous works like the LOVE statue in New York City. This series is at a Level 3 and is written specifically for transitional readers. Aligned to the Common Core standards & correlated to state standards. Dash! is an imprint of Abdo Zoom, a division of ABDO.
