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French Food
More than a book about food alone, French Food uses diet as a window into issues of nationality, literature, and culture in France and abroad. Outstanding contributors from cultural studies, literary criticism, performance studies, and the emerging field of food studies explore a wide range of food matters.
French Gay Modernism
The first four decades of the twentieth century saw male homosexuality appear in French literature with increasing frequency and boldness. Departing from earlier, more muted presentations, André Gide, Marcel Proust, Jean Cocteau, René Crevel, Francis Carco, and a host of less-famous writers, all created overtly gay characters are gave them increasingly numerous and significant roles. Far from being simply shunned or marginalized, a number of these works were instead accepted as canonical. Lawrence Schehr's French Gay Modernism is the only study devoted to the analyzing these representations of male homosexuality in early twentieth-century French literature. Schehr explains how earlier repr...
Alcibiades at the Door
Focusing on works by Rene Crevel, Jean-Paul Sartre, Roland Barthes, and Herve Guibert, this book studies how the figures of homosexuality function at the limits of narrative, as part of the deep structure of narrative, and at the border between public and private discourse. The first three chapters follow the difference between inside and outside, between public and private, between what is known and what can only be surmised. The homosexual Rene Crevel, who is both inside Surrealism and outside it, forces us to reread the marginalized figure of homosexuality in Surrealism. Crevel is discussed in light of his most important work, Mon corps et moi, a sustained effort to negotiate the problems...
The Parasite. ...
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Subversions of Verisimilitude
Subversions of Verisimilitude focuses on the ways in which a number of French literary narratives written in the realist tradition show a dynamic balance between the desire of the author/narrator to present a verisimilar world and the need for aesthetic balance. While the works studied-narratives by Balzac, Flaubert, Zola, Colette, Proust, and Sartre-range over the course of a century, from 1835 to 1938, they share a perspective on the relations between and the need to engage questions of realist verisimilitude and narrative interest and aesthetics. The book discusses some of the subversive paths taken in realism and, specifically, in canonical narratives solidly anchored in the tradition. The goal here is to analyze these realist texts, regardless of the narrative mode chosen, in order to see the deviations and detours from realism, mostly for aesthetic ends.The book contributes to our understanding of nineteenth- and twentieth-century narrative and furthers our knowledge of the ways in which critical theory illuminates such canonical works.
Rendering French Realism
Realist novels are usually seen as verisimilar representations of the world, and even when that verisimilitude is critically examined (as it has been by Marxist and feminist critics), the criticism has referred to extra-literary matters, such as bourgeois ideology or defects in the portrayal of women. This book takes as its thesis that the point defining realism is the point at which the processes of representation break down, a sort of black hole of textuality, a rent in the tissue. The author argues that our notions of continuity, of readability, of representability, or our ideas about unity and ideological shift—or even our notions of what is hidden, occulted, or absent—all come from ...
Parts of an Andrology
The subject of this original and provocative work is the white male body, a counterpoint in gender studies to the many readings of the representation of the female body. To look at the construction of this figure, the author examines a group of discontinuous works that are representative of the discontinuity in the intermittent representation of the male body. Especially in nineteenth-century narrative, where Edgar Allan Poe and Guy de Maupassant write astutely on the subject, there is never continuity in representing the male body. "The Pit and the Pendulum" and Bel-Ami are flickering, episodic investigations into the male body as subject, as sentient feeling, as the subject of torture or o...
Flaubert
This volume brings together a series of essays by acknowledged experts on Flaubert. It offers a coherent overview of the writer's work and critical legacy, and provides insights into the very latest scholarly thinking. While a central place is given to Flaubert's most widely read texts, attention is also paid to key areas of the corpus that have tended to be overlooked. Close textual analyses are accompanied by discussion of broader theoretical issues, and by a consideration of Flaubert's place in the wider traditions that he both inherited and influenced. These essays provide not only a robust critical framework for readers of Flaubert, but also a fuller understanding of why he continues to exert such a powerful influence on literature and literary studies today. A concluding essay by the prize-winning author Mario Vargas Llosa examines Flaubert's legacy from the point of view of the modern novelist.
Figures of Alterity
This book focuses on the extension of realist writing toward alterity, toward otherness, in its ongoing efforts to enable individuals to speak and be heard correctly. Through a series of close readings of six authors from Balzac to Proust, the author shows the ways realist narrative engages the problem of bringing the other into the realm of the discursively representable. The acts of representation involved in that development were not necessarily coterminous with either the representation of the exotic and its attendant stereotypes or with the representation of individuals themselves. The representation of the other was the extension of discourse to what was previously unrepresentable. The author argues that the unrepresentable is often perceived as oppositional because of the structuring of discourse by hierarchies and metaphysics, whereby any bivalent pair is made into an oppositional pair.
In Love with a Handsome Sailor
Writing at first anonymously and later under the pen name Pierre Loti, French author Julien Viaud (1850-1923) produced a series of fictions that sympathetically portrayed male same-sex desire and its accompanying societal conflicts. Due to the constraints of the time, Viaud had to develop various strategies for discussing his subject covertly; his success in doing so is demonstrated by the great critical and commercial success he enjoyed during his lifetime, which included his election to the French Academy at age forty-one. Richard Berrong presents a gay reading of the novels and novellas of Julien Viaud, chronologically tracing his development of a distinct homosexual identity and the stra...
