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This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
"Marsden Hartley (1877-1943) was a painter, poet, writer, and pioneer of American modernism. Born in Lewiston, Maine, he lived a peripatetic life, working in Paris, Berlin, New York, Mexico, New Mexico, Bermuda, and elsewhere before returning to Maine in 1934. This superbly illustrated book encompasses the extraordinary range and depth of Hartley's creative output. Some one-hundred and five of his works - landscapes, still lifes, portraits, and abstract paintings - demonstrate the visual power for which Hartley gained acclaim as well as the development of his art over the course of his thirty-five year career." "The book gathers together the most recent scholarship on Hartley's work, discuss...
"Should be the classic, central, definitive work on the emergence of Bay Area Figurative painting."--Paul Mills, author of The New Figurative Painting of David Park
The End of Dreams is a celebration of the human capacity for adaptation amid the cycles of loss and renewal that characterize our intimate lives. Floyd Skloot mixes dramatic monologue with meditative and narrative verse in poems that explore family experiences, the lives of artists, historical crisis, love, nature, illness, and sudden, unpredictable change. The poet describes moments rich in complexity: when a grandfather’s intentional loss at cards is really a victory of love; when Flannery O’Connor’s waxing and waning illness becomes a merciful strengthening of her faith in death and resurrection; when dreams and reality merge for a man in his final seconds of life. Musical, sometimes funny, sometimes deeply poignant, twining nostalgia with a hard-earned acceptance of the present, these accessible, emotional poems probe the power of our transformative imagination.
“Must reading for any true-crime fan . . . [a] diverse, colorful crew of art-gallery grifters and scammers . . . Highly recommended!” —Howie Carr, New York Times–bestselling author Art scams are today so numerous that the specter of a lawsuit arising from a mistaken attribution has scared a number of experts away from the business of authentication and forgery, and with good reason. Art scams are increasingly convincing and involve incredible sums of money. The cons perpetrated by unscrupulous art dealers and their accomplices are proportionately elaborate. Anthony M. Amore’s The Art of the Con tells the stories of some of history’s most notorious yet untold cons. They involve st...
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A New York Times bestseller, The Informationist introduces Vanessa Michael Munroe, a brilliant new heroine, in a thriller for fans of Lisbeth Salander, Jack Reacher and Jason Bourne. 'One of the best thrillers of the year!' Tess Gerritsen Vanessa Munroe deals in information - covert information. With an extraordinary intellect, a physique that allows her to pass as either male or female, and ruthless martial arts skills, she offers a unique service to anyone - government or individual - who'll pay her. Now a Texas oil billionaire has hired her to find his daughter, who vanished in Africa four years earlier. Where international investigators have tried and failed, Munroe follows a cold trail far into the lawless lands of central Africa. And then things spin out of control. Pulled deep into the mystery of the missing girl, Munroe finds herself cut off from civilisation and left for dead. Her only hope of discovering the truth - and of getting out of Africa alive - is to face up to the violent past that she's fought so hard to forget.
The sensational story of a cache of masterpieces not seen since they vanished during the Nazi terror—a bizarre tale of a father and aged son, of secret deals, treachery and the search for truth. The world was stunned when eighty-year old Cornelius Gurlitt became an international media superstar in November 2013 on the discovery of over 1,400 artworks in his 1,076 square-foot Munich apartment, valued at around $1.35 billion. Gurlitt became known as a man who never was - he didn't have a bank account, never paid tax, never received social security. He simply did not exist. He had been hard-wired into a life of shadows and secrecy by his own father long before he had inherited his art collect...