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A Werewolf Remembers
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Universal Horrors
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
Corruption at the Crossroad
More than 160 short stories from bestselling and award-winning authors. This volume will introduce you to horror, mystery, fantasy and thrills, from the dark worlds of Lovecraft to the cutting-edge suspense of the mean streets of the cities of the world. This monster collection speaks in the voices of some of today's leading masters of the short story, with something certain to appeal to every reader. Find a new creative voice to follow. Find a new world to love. An amazing wealth of fiction and imagination. Included in Corruption at the Crossroad: 12+1: Twelve Short Thrillers And A Play — Raymond Benson The Devil Made Me Do It Again And Again — Paul Dale Anderson Seeing Red — David J. Schow Bedbugs — Rick Hautala Destinations Unknown — Gary Braunbeck The Call Of Distant Shores — David Niall Wilson Falling Idols — Brian Hodge In The End, Only Darkness — Monica J O'Rourke 13: A Collection Of Horror And Weird Fiction — Michael Boatman Vapors: The Essential G. Wayne Miller Fiction, Vol. 2 — G. Wayne Miller Scars And Other Distinguishing Marks — Richard Christian Matheson
Dracula in Visual Media
This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
Philip and the Monsters
Could the Frankenstein monster, Dracula and the Wolfman actually move into someone’s respectable neighborhood? Philip and his best friend Emery are convinced it has happened when a suspicious new family moves in down the block. The boys have seen the vampire bat; they’ve heard the werewolf’s growl; they’ve witnessed the coffin delivery to the house. When Emery’s mother invites the new family to dinner, Philip and Emery have no choice but to prepare for the worst.
Seeing Red
Brain-scorching review hyperbole! Pithy critical commentary! Big-name blurb mongering! Hardcore buy-or-die sales pitch hysteria! You'll find none of that in Seeing Red, David J. Schow's very first collection of short stories, back in print for the first time in nearly ten years. It features the World Fantasy Award-winning story, "Red Light," the Twilight Zone Magazine prize-winner "Coming Soon to a Theatre Near You," plus eleven more tales as startling, as disturbing, as provocative and unnerving. Between these covers you'll also find an introduction by best-selling fantasist T.E.D. Klein, and "Crimson Hindsight," a brand-new Afterword written especially for this edition.
Hotel Frankenstein
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Metawritings
Metawriting—the writing about writing or writing that calls attention to itself as writing—has been around since Don Quixote and Tristram Shandy, but Jill Talbot makes that case that now more than ever the act of metawriting is performed on a daily basis by anyone with a Facebook profile, a Twitter account, or a webpage. Metawritings: Toward a Theory of Nonfiction is the first collection to combine metawriting in both fiction and nonfiction. In this daring volume, metawriting refers to writing about writing, veracity in writing, the I of writing and, ultimately, the construction of writing. With a prologue by Pam Houston, the anthology of personal essays, short stories, and one film scri...
Women Writers Dramatized
This volume, arranged alphabetically by original author, provides basic information about stage and screen productions based upon the novels of 40 women writers before 1900. Each entry includes the novel and its publication date, the published texts or dramatizations based upon the book, and the performances of the piece in live theater and film versions, including the location, dates, and playwright or screenwriter (if there was one). For some of the performances the author includes a brief annotation listing the actors and describing the production.
John Carradine
Over more than six decades and 200 films, supreme movie villain John Carradine defined the job of the character actor, running the gamut from preacher Casey of The Grapes of Wrath to his classic Count Dracula of House of Frankenstein and House of Dracula. But for every Prisoner of Shark Island or Jesse James, Carradine--who also did great work on Broadway and the classical theater (he produced, directed and starred in Hamlet)--hammed it up in scores of "B" and "C" horror and exploitation films, developing the while quite a reputation for scandal. Through it all, though, he remained a survivor and a true professional. This is the first ever work devoted exclusively to the films of John Carradine. In addition to the comprehensive filmography, there is a biography of Carradine (contributed by Gregory Mank), commentary on the man by indie film director Fred Olen Ray (who helmed many latter-day Carradine movies), and an interesting piece by director Joe Dante, who writes about Carradine's involvement in Dante's 1981 werewolf movie The Howling.
