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"In this unique account, Laxmi Tendulkar Dhaul--the dauther of Ayii and his third wife Indumati Gunaji--traces the turbulent lives of her parents and that of Thea von Harbou against the backdrop of Nazi Germany and Gandhi's India. The book describes how Thea, many years Ayii's senior, became his support and mainstay in Germany, helping him in his attempts to bring young Indian students to the country. Hitler's rise to power put an end to that effort, and, on Thea's advice, Ayii returned to India, where the outspoken journalist became involved in Gandhi's campaign of non-cooperation with the British, and where, with Thea's consent, he soon married Indumati, a Gandhian activist. Caught up in the whirlwind of Gandhi's activism, Indumati and Ayii spent several years in Indian prisons, being able to live as a married couple only after their release, managing thereby to comply with a condition Gandhi himself had put on their marriage--that they remain apart for several years."--Publisher description.
In the early nineteen thirties Ayi Tendulkar, a young journalist from a small town in Maharashtra, travelled to Germany to study. Within a short time he married Eva Schubring, his professor’s daughter. Soon after the short-lived marriage broke up, Tendulkar, by now also a well-known journalist in Berlin, met and fell in love with the filmmaker Thea von Harbou, divorced wife of Fritz Lang, and soon to be Tendulkar’s wife. Many years his senior, Thea became Tendulkar’s support and mainstay in Germany, encouraging and supporting him in bringing other young Indian students to the country. Hitler’s coming to power put an end to all that, and on Thea von Harbou’s advice, Tendulkar return...
Dust of the Caravan is a selection of writings by Anis Kidwai sketching the personal and political journey of a Muslim woman through the first eight decades of the 20th century. In Kidwai’s often humorous and always incisive and compassionate telling of the travels that took her from a birth and upbringing in rural Awadh into the maelstrom of Partition and its aftermath, lies a rich tapestry of tales. Simultaneously a social history of life in rural Awadh in the early 20th century and the birth of the national movement in the region as well as an account of the traditions of mutual respect and understanding between different faiths in a shared culture and the rupture of those very traditions during Partition, this book is also the story of a woman’s journey from the home into the world and from ‘family values’ towards autonomous beliefs, friendships, and activism. In addition to its value as a literary work, Dust of the Caravan is an important resource in the fields of history, sociology, and gender studies.
A profile of the history of sex work and the sexual economy in Mumbai, India's cultural and financial capital. In Intimate City, Manjima Bhattacharjya examines how globalization and technology have changed where and how sexual commerce is transacted. She maps offline and online geographies of sex work and unearths new perspectives: from changing red-light areas to the world of escort services; from the experiences of massage boys to men in search of casual encounters cruising the internet highways. Through these fascinating narratives, Bhattacharjya analyzes how the internet has reconfigured intimacies in the digital age. In doing so, she offers a new lens to look at long-held feminist understandings of sex work, choice, consent, and agency against the backdrop of the "maximum city" of Mumbai.
You've heard the stories about the dark side of the internet?hackers, #gamergate, anonymous mobs attacking an unlucky victim, and revenge porn?but they remain just that: stories. Surely these things would never happen to you. Zoe Quinn used to feel the same way. She is a video game developer whose ex-boyfriend published a crazed blog post cobbled together from private information, half-truths, and outright fictions, along with a rallying cry to the online hordes to go after her. They answered in the form of a so-called movement known as #gamergate?they hacked her accounts; stole nude photos of her; harassed her family, friends, and colleagues; and threatened to rape and murder her. But inste...
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The degree of freedom enjoyed is the first and the foremost factor in evaluating the health of an individual and society. It is the means and also the supreme end of human well-being. But for ages women have been subjugated and suppressed. Victims of gender politics from timeless past, today modern women are struggling to break away from their imprisonment. Published by Advaita Ashrama, a branch of Ramakrishna Math, Belur Math, the central issue dealt with in this small book is The Way to Women's Freedom. Are the modern women truly heading towards freedom? Or are they moving towards another trap? Often what appears to be freedom on the surface proves to be enslavement in disguise! What is the true meaning of freedom? What is the way? This is an extraordinarily important issue of modern times with widespread ramifications. Swami Vivekananda's views on this matter are crucial. The author carefully presents two contrasting pictures: (1) The present day woman, her status, and her expression of freedom, and (2) Swami Vivekananda's view of a truly free woman, and the way to achieve that freedom.
A controversial novel based on the life of India's most celebrated painter, Raja Ravi Varma He was accused of making the gods look like humans and insulting them by portraying them in the nude. He countered that he saw divinity in both gods and humans, and that nudity was the purest form he knew. This is the story of a little boy who grew up making charcoal sketches on freshly whitewashed temple walls and went on to be titled in the court of Thiruvananthapuram as 'Raja' for his artistic prowess. His painting of a Nair woman who worked in his wife's palace brought him wrath and recognition alike. His deep involvement with Sugandha, the Maharastrian lady, who became Menaka, Damayanti and Urvashi in his most acclaimed works caught the fancy of many critics and admirers.
A sensitively written account of a Pakistani writer's discovery of Delhi Why, asks Raza Rumi, does the capital of another country feel like home? How is it that a man from Pakistan can cross the border into 'hostile' territory and yet not feel 'foreign'? Is it the geography, the architecture, the food? Or is it the streets, the festivals and the colours of the subcontinent, so familiar and yes, beloved... As he takes in the sights, from the Sufi shrines in the south to the markets of Old Delhi, from Lutyens' stately mansions to Ghalib's crumbling abode, Raza uncovers the many layers of the city. He connects with the richness of the Urdu language, observes the syncretic evolution of mystical ...
Autobiography of an executive producer of reality television shows.