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Le pommier
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Passion to Dance
This is the story of the National Ballet of Canada – the people, the determination, and how at sixty it is still creating new work while still representing the classics. Passion to Dance is the story of the National Ballet of Canada – the people who dreamt the company into existence, the determination needed to keep it afloat, the bumps on the road to its success, and above all, its passion for dance as a living, evolving art form. From catch-as-catch-can beginnings – borrowed quarters, tiny stages, enormous dreams the National Ballet has emerged as one of North America’s foremost dance troupes. The company at sixty is a company of its time, engaged in creating challenging new work, yet committed to maintaining the classics of the past, favourites like Swan Lake, The Nutcracker,and The Sleeping Beauty. One hundred and fifty photographs from the company’s archives illustrate this definitive history, filled with eyewitness accounts, backstage glimpses, and fascinating detail. This is a record of one of Canada’s boldest cultural experiments, a book to enjoy now and keep forever.
Le pommier
Il y a bien longtemps, les pommiers étaient des arbres sauvages, aux petits fruits acides... Puis, des siècles de soins et d'observations minutieuses ont permis - à l'homme - de le transformer, pour en obtenir des fruits magnifiques, aux variétés et aux saveurs innombrables. Comme tous les autres arbres, le pommier est un organisme vivant : il respire, boit par ses racines et transpire par ses feuilles. Les abeilles l'aident à féconder ses fleurs. Au fil des saisons, l'homme plante, taille, greffe... pour que la récolte soit abondante, le cidre doux et les tartes succulentes.
Poststructuralism and Critical Theory's Second Generation
"Poststructuralism and Critical Theory's Second Generation" analyses the major themes and developments in a period that brought continental philosophy to the forefront of scholarship in a variety of humanities and social science disciplines and that set the agenda for philosophical thought on the continent and elsewhere from the 1960s to the present. Focusing on the years 1960-1984, the volume examines the major figures associated with poststructuralism and the second generation of critical theory, the two dominant movements that emerged in the 1960s: Althusser, Foucault, Deleuze, Derrida, Lyotard, Irigaray, and Habermas. Influential thinkers such as Serres, Bourdieu, and Rorty, who are not easily placed in "standard" histories of the period, are also covered. Beyond this, thematic essays engage with issues as diverse as the Nietzschean legacy, the linguistic turn in continental thinking, the phenomenological inheritance of Gadamer and Ricoeur, the influence of psychoanalysis, the emergence of feminist thought and a philosophy of sexual difference, the renewal of the critical theory tradition, and the importation of continental philosophy into literary theory.
Imagination and Art: Explorations in Contemporary Theory
This transdisciplinary project represents the most comprehensive study of imagination to date. The eclectic group of international scholars who comprise Imagination and Art propose bold and innovative theoretical frameworks for (re-) conceptualizing imagination in all of its divergent forms.
The Indiscrete Image
Humanity’s creative capacity has never been more unsettling than it is at our current moment, when it has ushered us into new technological worlds that challenge the very definition of “the human.” Those anxious to safeguard the human against techno-scientific threats often appeal to religious traditions to protect the place and dignity of the human. But how well do we understand both theological tradition and today’s technological culture? In The Indiscrete Image, Thomas A. Carlson challenges our common ideas about both, arguing instead that it may be humanity’s final lack of definition that first enables, and calls for, human creativity and its correlates—including technology, ...
Fiction Fiction
Operative fiction: New narrative strategies With Fiction Fiction, visual artist Elena Peytchinska and poet Thomas Ballhausen are continuing their linguistic/artistic exploration of space and language, as well as with the intertwining of drawing and literature. While their previous works FAUNA (2018) and FLORA (2020) focused on strategies of rapprochement between the arts and the sciences based on linguistic-artistic premises, their latest work interrogates the relationship between the science of fiction and the fiction of science. Fiction Fiction presents a relational, practice-oriented model of operative fiction, which not only encounters the supposedly unthinkable other but integrates it as an active and necessary part of thought and creative processes. Literature and/as artistic research, following on from FAUNA (2018) and FLORA (2020) Artistic reflections on contemporary philosophy and its sociocritical contexts With contributions by Lucia D’Errico, Sabina Holzer, Elisabeth Schäfer, and Ferdinand Schmatz
Handbook of the Anthropocene
This Handbook is a collection of contributions of more than 300 researchers who have worked to grasp the Anthropocene, this new geological epoch characterised by a modification of the conditions of habitability of the Earth for all living things, in its biogeophysical and socio-political reality. These researchers also sought to define a historical and prospective anthropology that integrates social, economic, cultural and political issues as well as, of course, environmental ones. What are the anthropological changes needed to ensure that our human adventure will be able to continue in the Anthropocene? And what are the educational and political issues involved? Anthropocene is fast becomin...
