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Body Art and Performance
Containing Lea Vergine's insight on the 'golden age' of the Body Art movement and writings by the artists featured, this text focuses on the artistic endeavour that uses the body as expressive material.
The Passion According to Carol Rama
"Ignored for decades by the official discourse of art history, Carol Rama (1918) is today confirmed as an indispensable referent in understanding twentieth-century artistic production. This publication offers an itinerary through many of the artist's creative moments in an attempt to recognise and reclaim a body of work which demands to become classic." --
Autoprogettazione?
Il libro è costituito da un progetto realizzato da Mari nel '74 e rappresenta uno stimolo (e una provocazione) per legare la creatività alla capacità costruttiva di ognuno, seguendo e/o modificando la traccia data dai disegni progettuali di Enzo Mari per la realizzazione di una sedia, un tavolo, un armadio, un letto. Il libro riprende la precedente pubblicazione "Proposta per un'autoprogettazione" curata dal centro Duchamp e stampata in occasione della mostra alla Galleria Milano, alla quale si aggiungono i testi dello stesso Mari a commento di quest'operazione, la documentazione di ciò che la prima uscita del progetto ha provocato (lettere, commenti, articoli), immagini, disegni e una riflessione sull'attualità della riproposta di oggi.
What the Body Cost
Because performance is by its very nature ephemeral, it elicits a desire for what is lost more than any other form of art making. But what is the nature of that desire, and on what models has it been structured? How has it affected the ways in which the history of performance art gets told?In What the Body Cost, Jane Blocker revisits key works in performance art by Carolee Schneemann, Vito Acconci, Hannah Wilke, Yves Klein, Ana Mendieta, and others to challenge earlier critiques that characterize performance, or body art, as a purely revolutionary art form and fail to recognize its reactionary-and sometimes damaging-effects. The scholarship to date on performance art has not, she finds, gone...
Carol Rama
This catalogue includes works from Rama's early 1930s watercolor drawings, which anticipated debates on sexuality, gender and representation, to her "mad cow" series of the late 1990s and early 2000s, which continues her ongoing representation of forms of contagion and madness. Bringing together this unique body of work, the catalogue highlights Rama as one of the most important voices of the twentieth century and draws attention to the relevance of her work.00Exhibition: New Museum, New York, United States (26.04.-10.09.2017).
The Figure of Knowledge
It is a major challenge to write the history of post-WWII architectural theory without boiling it down to a few defining paradigms. An impressive anthologising effort during the 1990s charted architectural theory mostly via the various theoretical frameworks employed, such as critical theory, critical regionalism, deconstructivism, and pragmatism. Yet the intellectual contours of what constitutes architectural theory have been constantly in flux. It is therefore paramount to ask what kind of knowledge has become important in the recent history of architectural theory and how the resulting figure of knowledge sets the conditions for the actual arguments made. The contributions in this volume focus on institutional, geographical, rhetorical, and other conditioning factors. They thus screen the unspoken rules of engagement that postwar architectural theory ascribed to.
Contract with the Skin
Having oneself shot. Putting out fires with the bare hands and feet. Biting the body and photographing the marks. Sewing one's own mouth shut--all in front of an audience. What do these kinds of performances tell us about the social and historical context in which they occurred? Fascinating and accessibly written, CONTRACT WITH THE SKIN addresses the question in relation to psychoanalytic and legal concepts of masochism. 34 photos.
Books by Ettore Sottsass
Questo volume raccoglie le riviste e i libri che Ettore Sottsass ha scritto, illustrato o curato nell'arco di sessant'anni, tra il 1947 e il 2006. Opere su carta stampata in cui Sottsass ha realizzato appositamente testi, illustrazioni e/o invenzioni grafiche. La multiforme produzione editoriale di Ettore Sottsass è raggruppata in otto sezioni - la rivista "Room East 128. Chronicle", i libri editi per le edizioni "East 128", "Pianeta Fresco", gli inserti nelle riviste d'architettura e design, i libri illustrati e i testi teorici, i cataloghi del gruppo "Memphis", la rivista "Terrazzo" e le pubblicazioni augurali dello Studio Sottsass Associati - ed è accompagnata da contributi di Barbara Radice, Andrea Branzi, Michele De Lucchi, Nathalie Du Pasquier, Elio Fiorucci, Christoph Radl, Franco Raggi e Lea Vergine.
Seeing Through Closed Eyelids
Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time).
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
