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Haven Harbor is an authentic coastal Maine town—which makes it the perfect location for a new film production. But now it’s become the scene of a crime . . . Needlepointers Angie and Sarah are helping with set design for the movie being shot in their little New England hometown—but as the lighthouse and the wharves bustle with activity, a real-life drama is about to unfold. The producer, Hank Stoddard, has been harassing the pretty young female lead, and the two exchanged heated words at a lobster bake. Now someone’s lowered the boom on him . . . After a wayward piece of sound equipment sends him to his death, theories fly about who went off-script. Meanwhile, a local woman’s tragic story about a true love lost at sea, which originally inspired the film, may lead to murderous revelations from long ago. Angie’s got to unravel these mysteries, and may need to give more than one killer the hook . . .
In 1806, orphaned eleven-year-old Abigail and her little brother Seth find a home with the young Widow Chase in the seaport of Wiscasset, Maine, and help her discover a way to support them all.
She's an antique print dealer, a college professor, and now...a parent? Maggie Summer is considering adopting a child from the New Jersey agency Our World, Our Children, and she has happily agreed to stage a benefit antiques show on their behalf. With her dealer friends, her college, and her lover, Will Brewer, all donating their time and support, everything is falling into place. But someone is harboring a vicious grudge against Our World, Our Children. The adoptive mother of thirteen children is the first victim, and then Maggie begins receiving threats. With the crowded benefit set to open and hundreds of innocent lives at stake, Maggie races to preserve the future with a clue hidden in her prints from the past....
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Lars, a widower pastor, and Leah, a widowed church member, find new love. There are many surprises as God disciples and leads them into their new life together.
Maggie Summer is making big changes in her life. The antique print dealer has taken a sabbatical and moved to Maine to run an antiques mall with Will Brewer, her significant other. And she will finally adopt the daughter she's been longing for. However, the troubled girl doesn't want any part of the plan, showing affection only for the harbor seals, which remind her of her "real mother." But someone starts shooting the seals-and a young fisherman is murdered. Then Will confesses a secret from his past, and Maggie begins to wonder if this is the biggest mistake of her life.
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This book highlights how horror in film and television creates platforms to address distinct areas of modern-day concern. In examining the prevalence of dark tropes in contemporary horror films such as Get Out, Annabelle: Creation, A Quiet Place, Hereditary and The Nun, as well as series such as Stranger Things, American Horror Story and Game of Thrones, amongst numerous others, the authors contend that we are witnessing the emergence of a ‘horror renaissance’. They posit that horror films or programmes, once widely considered to be a low form of popular culture entertainment, can contain deeper meanings or subtext and are increasingly covering serious subject matter. This book thus expl...