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After being attacked by a grizzly bear in the Rocky Mountains, seventeen-year-old Abby Hughes' facial scars are all she can think about, and all that she thinks anyone else can see when they look at her. After months of hiding out at home, returning to high school feels as daunting to Abby as enduring seven plastic surgeries.She knows it will be hard to show her new face to the world, but Abby doesn't expect the level of rejection and hurt she receives, especially from people she thinks are her friends. When the taunts and bullying take a dangerous turn, she has to rediscover the strong, confident person beneath her skin.
Sixteen-year-old Claire is walking across Lions Gate Bridge in Vancouver when a young man approaches. He's laughing and talking on his cellphone. Then, when they get close, he reaches out, hands her his phone, says, "I'm sorry," -- then climbs over the railing and jumps. This is the shockingly vivid first scene of Leanne Baugh's young adult novel, Last Words, a moment that profoundly changes Claire's life as she searches for an explanation to this mysterious suicide. In the end, Claire's investigation becomes an assertion of life, rather than a mourning over death. Pivotal to the story is Claire meeting with Kiki, a young cancer patient whose determined passion for life inspires her to embrace the everyday. Then there's Claire's sister Belle, who has Down's syndrome and is a steady reminder that life is messy but full of possibilities. This profound novel is rich in diverse characters that illustrate what it is to live fully in this world.
"Kate Harding at 16 rebels against the social norms of the remote colonial town of Victoria in 1861. Here, Indigenous people are regarded as fodder for the small pox epidemic, and Kate's hope of practicing medicine is disparaged. But she is determined and eventually wins out."-- Provided by publisher.
Cheerleading, mean girls, shopping . . . and leprosy? High school is about to get complicated. For fans of Before I Fall and Exit, Pursued By a Bear. Abby Furlowe has plans. Big plans. She's hot, she's popular, she's a cheerleader and she's going to break out of her small Texas town and make it big. Fame and fortune, adoration and accolades. It'll all be hers. But then she notices some spots on her skin. She writes them off as a rash, but things only get worse. She's tired all the time, her hands and feet are numb and her face starts to look like day-old pizza. By the time her seventeenth birthday rolls around, she's tried every cream and medication the doctors have thrown at her, but nothin...
After being attacked by a grizzly bear in the Rocky Mountains, seventeen-year-old Abby Hughes' facial scars are all she can think about, and all that she thinks anyone else can see when they look at her. After months of hiding out at home, returning to high school feels as daunting to Abby as enduring seven plastic surgeries. She knows it will be hard to show her new face to the world, but Abby doesn’t expect the level of rejection and hurt she receives, especially from people she thinks are her friends. When the taunts and bullying take a dangerous turn, she has to rediscover the strong, confident person beneath her skin.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Winner of The Wishing Shelf Book Awards 2020 Fifteen-year-old Elsie stumbles onto the scene at her new job—serving the affluent Dunsmuir family in Craigdarroch Castle alongside her widowed mother. Elsie feels her future has never been so bleak. Feeling trapped in her new life, she uncovers a hidden talent for acting that catapults her to the forefront of the family’s parties. But when she discovers an audience of one with a Chinese male servant, it threatens any plans she has to escape the castle. Canada’s West Coast history comes alive in this classic, fun, coming-of-age story.
From Governor General’s Award-winning author David A. Robertson comes the first book in a compelling new trilogy. A talking coyote, mysterious illnesses, and girl trouble. Coming home can be murder... When Cole Harper gets a mysterious message from an old friend begging him to come home, he has no idea what he's getting into. Compelled to return to Wounded Sky First Nation, Cole finds his community in chaos: a series of shocking murders, a mysterious illness ravaging the residents, and reemerging questions about Cole’s role in the tragedy that drove him away 10 years ago. With the aid of an unhelpful spirit, a disfigured ghost, and his two oldest friends, Cole tries to figure out his purpose, and unravel the mysteries he left behind a decade ago. Will he find the answers in time to save his community?
The Gift Is in the Making retells previously published Anishinaabeg stories, bringing to life Anishinaabeg values and teachings for a new generation. Readers are immersed in a world where all genders are respected, the tiniest being has influence in the world, and unconditional love binds families and communities to each other and to their homeland. Sprinkled with gentle humour and the Anishinaabe language, this collection of stories speaks to children and adults alike, and reminds us of the timelessness of stories that touch the heart. Also available as an audiobook narrated by Tiffany Ayalik. Find it through your favourite audio retailer!
Occupied France, 1943. Returning home, André Albert finds his four-year-old son in the street, his wife gone, and an emaciated Jewish woman cowering behind the display case.