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The Lee Hale Story
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Backstage at the Dean Martin Show
The Dean Martin Show, with its big-name stars--such as Frank Sinatra, Jimmy Stewart, Lucille Ball, and John Wayne--glitzy production number, and often risque skits, for nine years owned Thursday nights at ten o'clock on television. But nothing about the show was as big a draw as its inimitable host, the breezy, roguishly handsome Dean Martin. Now Lee Hale, the show's musical director, and later producer of The Golddiggers and Dean Martin Celebrity Roasts, lets you peek behind the curtains at all the fun, friendship, and occasional star tantrums that went into making this top-rated variety program.
Identity Christ Exe's
This book is for anyone who has had their heart broken, soul wounded, faith tested, abandoned, rejected, or has suffered blow after blow, asking, "Can I get up? And even if I can eventually stand, how can I walk out and not let those blows, fire, and ashes show up in my tomorrow?" I don't want to look like, smell, or feel like what I've been through. Or maybe you're fighting with the shame and guilt of backsliding. You know God, but you keep hearing it's your fault because you're not strong enough. That's a lie from the pits of hell. First John 1 says that "it is true that we should walk with and talk with God continuously, and when we sin, confess it, and the blood of Christ cleanses contin...
New Beginnings
Dorothy Lee Hale states: "I am slightly embarrassed that the title of my book is New Beginnings. This expression is used everywhere, but the idea and the title were in my mind for many years. The time is four hundred years ago and the places England and Virginia. Most of the characters have new beginnings in place or understanding. I was working at the Orlando Public Library at the time I planned this story, surrounded by many biographies of the historical characters of the time, and visited England and Jamestown more than once. Indiana University courses in European and American history, with English composition helped me greatly." She wrote the following to her nephew who edited her manuscript. "I could not have written this when I began planning. It needed my own growth in our faith. Now I want to share it with others. I tried to show our need to come to an understanding in families and with other races and nationalities. I think you and your siblings are a wonderful example, with your bonding and re-unions. I wish all families could accomplish this. What a wonderful world it would be!"
St. Louis Casa Loma Ballroom
In 1927, on the northeast corner of Cherokee and Iowa Streets in south St. Louis, a multistory, multipurpose building was erected. Retail shops and a bowling alley occupied the first floor, while upstairs was a place that defied the imagination of someone driving by in their brand new Model T Ford. Today, that upstairs space, with its lofty ceiling, huge maple tongue-in-groove dance floor, and wraparound balcony, is the Casa Loma Ballroom -- St. Louis' last grand ballroom. Today, one gets the feeling that the ghosts of the big bands and the vocalists still linger there -- and with good reason. Just about everybody who was anybody played there at one time or another. Ol' Blue Eyes himself, before he was the idol of millions, received just a meager "Featured Singer, Frank Sinatra" note at the bottom of the Casa Loma bill the night he played with the Harry James Orchestra.
