Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
T.S. Eliot and American Poetry
Written in a fine and lucid prose style, T. S. Eliot and American Poetry presents a critical study of Eliot's major poems as it examines what America means to its poets. Eliot's contribution to a poetic dialogue on this subject with Ralph Waldo Emerson, Edgar Allan Poe, Walt Whitman, Hart Crane, Robert Lowell, John Ashbery, and other literary figures plays a significant role in this groundbreaking study. Investigating Eliot's literary inheritance through his familial traditions, represented particularly by his mother, Charlotte Eliot, and in terms of the American Renaissance, Lee Oser addresses all phases of Eliot's career as a poet. Following an introduction that reevaluates the importance ...
Migrant Form
Migrant Form examines the works of James Joyce, Salman Rushdie, and Satyajit Ray for the anti-colonial arguments in their unsettled, and unsettling, aesthetics. Among the questions it engages are the following: What are the aesthetic moves through which art expresses its resistance to dominance and demands for conformity? How can we define anti-colonial aesthetics? How do these aesthetics manifest themselves in different media such as literature and film? Contending that Joyce inaugurates an anti-colonial «aesthetics of reconstitution», the book mines such aesthetics in Ulysses and Finnegans Wake to propose a formal model for postcolonialism. It also draws on that exercise to consider how Rushdie extends a play with reconfigured forms into an overt politics in two of his novels (Midnight's Children and The Satanic Verses). Turning its attention to film, the book contests the common view of Ray as a gentle realist and examines a formal restlessness in Ray's earlier work, Charulata (The Lonely Wife), before demonstrating how Ray stages his preference for restlessness in his final film, Agantuk (The Stranger).
The Return of Christian Humanism
"Oser examines the twentieth-century literary clash between a dogmatically relativist modernism and a robust revival of Christian humanism. Reviewing English literature from Chaucer to Beckett, and the thoughts of philosophers, theologians, and modern literary critics, Oser challenges the assumption that Christian orthodoxy is incompatible with humanism, freedom, and democracy"--Provided by publisher.
The Oracles Fell Silent
When the legendary Sir Ted Pop hires young Richard Bellman as his secretary, Bellman's work on the great man's memoir transforms his young life into a divine comedy -- or is it a devilish farce? In a New York beach house in Southampton, Bellman treads the forbidden ground of Ted's final hour with Johnny Donovan, his partner in fame, who "fell" from a London rooftop in 1969. Sir Ted battles false prophets and mad messiahs for control over his own story, but what rock's biggest mystery reveals to Bellman is the unthinkable hand of God.
Christian Humanism in Shakespeare
Shakespeare, Lee Oser argues, is a Christian literary artist who criticizes and challenges Christians, but who does so on Christian grounds. Stressing Shakespeare’s theological sensitivity, Oser places Shakespeare’s work in the “radical middle,” the dialectical opening between the sacred and the secular where great writing can flourish. According to Oser, the radical middle was and remains a site of cultural originality, as expressed through mimetic works of art intended for a catholic (small “c”) audience. It describes the conceptual space where Shakespeare was free to engage theological questions, and where his Christian skepticism could serve his literary purposes. Oser review...
When the Eternal Can Be Met
When the Eternal Can Be Met excavates the philosophy behind the theology of the twentieth century's most prominent Christian writers: C. S. Lewis, T. S. Eliot, and W. H. Auden. These three literary giants converted to Christianity within little more than a decade of one another, and interestingly, all three theological authors turned to the theme of time. All three authors also came to remarkably similar conclusions about time, positing that the temporal present moment allowed one to meet the eternal. Decades before Lewis, Eliot, and Auden sought to creatively construct a fictive or poetic theology of time, the prominent philosopher Henri Bergson wrote about time's power to transform an indi...
The Cambridge Introduction to T. S. Eliot
T. S. Eliot is not only one of the most important poets of the twentieth century; as literary critic and commentator on culture and society, his writing continues to be profoundly influential. Every student of English must engage with his writing to understand the course of modern literature. This book provides the perfect introduction to key aspects of Eliot's life and work, as well as to the wider contexts of modernism in which he wrote. John Xiros Cooper explains how Eliot was influenced by the intellectual climate of both twentieth-century Britain and America, and how he became a key cultural figure on both sides of the Atlantic. The continuing controversies surrounding his writing and his thought are also addressed. With a useful guide to further reading, this is the most informative and accessible introduction to T. S. Eliot.
misReading Nietzsche
Perhaps more than any philosophy written in the past few centuries, the work of Friedrich Nietzsche has given rise to controversy, misunderstanding, and dissent. Today Nietzsche is remembered as the revolutionary author of such polemical ideas as the death of God, the revaluation of values, the will to untruth, and the Ubermensch. Yet is Nietzsche's philosophy as atheistic, relativistic, nihilistic, and immoral as some commentators have claimed? Or ought we perhaps to give more credence to Nietzsche's own assertion that one writes books "precisely to conceal what one harbors" (BGE, 9, 289)? If "whatever is profound loves masks" (BGE, 2, 40) then might Nietzsche's more daring claims be interp...
Shakespeare and the Elizabethan Reformation
Shakespeare and the Elizabethan Reformation: Literary Negotiation of Religious Difference explores how Shakespeare’s plays dramatize key issues of the Elizabethan Reformation, the conflict between the sacred, the critical, and the disenchanted; alternatively, the Catholic, the Protestant, and the secular. Each play imagines their reconciliation or the failure of reconcilation. The Catholic sacred is shadowed by its degeneration into superstition, Protestant critique by its unintended (fissaparous) consequences, the secular ordinary by stark disenchantment. Shakespeare shows how all three perspectives are needed if society is to face its intractable problems, thus providing a powerful model...
Macbeth
Arguably the darkest of all Shakespeare?s plays, Macbeth is also one of the most challenging. Is it a work of nihilistic despair, ?a tale told by an idiot, full of sound and fury, signifying nothing?, or is it a cautionary tale warning of the dangers of Machiavellianism and relativism? Does it lead to hell and hopelessness, or does it point to a light beyond the darkness? This critical edition of Shakespeare?s classic psychological drama contains essays by some of today?s leading critics, exploring Macbeth as a morality play, as a history play with contemporary relevance, and as a drama that shows a vision of evil and that grapples with the problem of free will. The Ignatius Critical Edition...
